Minggu, 30 Juni 2013

The Return of Sherlock Holmes, by Sir Arthur Conan Doyle

The Return of Sherlock Holmes, by Sir Arthur Conan Doyle

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The Return of Sherlock Holmes, by Sir Arthur Conan  Doyle

The Return of Sherlock Holmes, by Sir Arthur Conan Doyle



The Return of Sherlock Holmes, by Sir Arthur Conan  Doyle

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The Return of Sherlock Holmes is a collection of 13 Sherlock Holmes stories, originally published in 1903-1904, by Arthur Conan Doyle. This edition includes: "The Adventure of the Empty House" "The Adventure of the Norwood Builder" "The Adventure of the Dancing Men" "The Adventure of the Solitary Cyclist" "The Adventure of the Priory School" "The Adventure of Black Peter" "The Adventure of Charles Augustus Milverton" "The Adventure of the Six Napoleons" "The Adventure of the Three Students" "The Adventure of the Golden Pince-Nez" "The Adventure of the Missing Three-Quarter" "The Adventure of the Abbey Grange" "The Adventure of the Second Stain" After publishing The Hound of the Baskervilles in 1901–1902, setting it before Holmes' death, Doyle came under intense pressure to revive his famous character. The first story is set in 1894 and has Holmes returning in London and explaining the period from 1891 to 1894, a period called "The Great Hiatus" by Sherlockian enthusiasts. Also there is Watson's statement in the last story of the cycle that Holmes has retired, and forbids him to publish any more stories.

The Return of Sherlock Holmes, by Sir Arthur Conan Doyle

  • Published on: 2015-03-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .67" w x 6.00" l, .88 pounds
  • Binding: Paperback
  • 294 pages
The Return of Sherlock Holmes, by Sir Arthur Conan Doyle

From the Publisher This edition is printed in specially-designed large type for easier reading, and is printed on non-glare paper.

From the Inside Flap This first installment In the continuation of the classic collection of Sherlock Holmes stories will charm Sir Arthur Canon Doyle's many fans with four more lavish episodes featuring the inimitable partnership of Holmes and Watson as portrayed by the well-loved pair, Clive Merrison and Michael Williams. Presented in a stunning dramatization originally conceived for BBC broadcast and produced by the world's foremost creators of radio entertainment, this lush production combines a full cast with stirring music and sound effects to bring these classic mysteries to life.

The Return of Sherlock Holmes

Volume 1

In The Empty House, within hours of Dr. Watson bumping into an aged bookseller, he and Holmes are back together after a three year hiatus, tracking a master criminal to their own front door. An obvious motive and copious clues point a murderous finger at Holmes own client in The Norwood Builder. The Dancing Men jettisons Holmes into the investigation of what had previously appeared to be merely childish scribbles, and in the end it is Holmes' own pistol clapped against the head of the malefactor. The Solitary Cyclist stalking Miss Violet Smith sends Holmes and Watson down a murky trail of passion and crime. In this first volume of The Return of Sherlock Holmes, the fearsome duo of Watson and Holmes are at the top of their form.

From the Back Cover Ten years after the supposed death of Sherlock Holmes at the Reichenbach Falls, Arthur Conan Doyle was to bow to popular pressure and breathe new life into his creation. To readers, Holmes reappears in Baker Street to embark on a new series of adventures.


The Return of Sherlock Holmes, by Sir Arthur Conan  Doyle

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10 of 10 people found the following review helpful. Excellent audio rendition By J. Comeaux Much anticipated, as evidenced on a website "The Sherlock Holmes Society", I was not sure I would like this, having enjoyed the dramatizations by Basil Rathbone and Nigel Bruce on restored radio productions. Well, David Tomlinson reads Arthur Conan Doyle's story in top form, as if we were hearing Dr. Watson himself tell the story. He does all the voices, and will soon become a favorite audio reader. I completely enjoyed these readings. Plus, since they are the unabridged works, we hear every nuance that ACD wrote into the story, with no embellishment. The stories do hold up after so many years.

15 of 17 people found the following review helpful. Mystery, Mystery, Mystery, the Original Mysteries. By Nigel M Bailey As an Englishman. resident in the United States, what do I miss most? The BBC. As a little boy I looked forward to all the broadcast plays every week. The BBC cast performed about 6 hours of radio plays every week. They still do, haven't you also noticed the number of TV plays broadcast by A and E? Most of them originate in the United Kingdom, Hornblower, ETC.. Now we can enjoy the performances by means of these Bantam Double Day releases. Very well done, by a very experienced cast, you can let your imagination run riot as you picture the various scenes in your mind. These are the classic stories by Sir Arther Conan Doyle. They have been around for 100 years or so, and time has not diminished their appeal. On this Audio Book you have 4 stories, each about 45 minutes long. If you haven't heard these before, then I don't wish to spoil the story line. If you know the stories then you will not be disappointed. Each story is presented in the time period of around the 1900's, you can almost smell the gas lighting, not to mention the foggy november weather, the horses, and so on. Order these from Amazon, and search for more of the BBC plays, they are great.

5 of 5 people found the following review helpful. Elementary Choice, My Dear Watson By R. Stephen Franks Conan Doyle had long tired of Sherlock Holmes and his adventures, finally killing him off with the idea of moving on to "higher minded" literary pursuits. But the reading public was outraged! They demanded more Holmes. The public stormed the offices of Strand Magazine demonstrating and picketing the offices while wearing black mourning armbands. Later came the circulating petitions and, finally, the cancellation of more than 20,000 Strand Magazine subscriptions. It was the final straw.After much discussion with his publishers and finally weakening by the offers of outrageous sums of money ($45,000 for 13 stories by Collier's Magazine alone in 1903 dollars), Doyle finally relented and brought ol' Sherlock back from his watery grave after his mortal fall from Reichenbach Falls, along with his arch nemesis - Professor Moriarty. Hence, the title - The Return of Sherlock Holmes.This book is the collection of adventures as serialized by Collier's Magazine in 1903. The illustrations for the "Return" were done by the famous American illustrator, Frederic Dorr Steele. The artistic approach is quite different from the Strand's Sidney Paget, who illustrated the original 24 Holmes adventures. This was an American interpretation. History tells us that Mr. Steele used the famous American stage actor of Sherlock Holmes, William Gillette, for his illustrations despite their never having actually met.If you want to collect the adventures of Sherlock Holmes there are only two (out of print) editions to consider. The first is The Complete Adventures and Memoirs of Sherlock Holmes printed by Bramhall House * New York 1976. It is a Facsimile of the original 24 stories from the Strand Magazine as illustrated by Sidney Paget. But it is the wonderful Victorian cover art that makes this edition without equal!The Return of Sherlock Holmes is an excellent 1987 edition by The Mysterious Press * New York. Its American illustrations are more "modern" and different from Paget's work, and is the only other edition to consider if you are looking for the best and most complete collection of Sherlock Holmes stories. They are both easily found on the net and purchased used for $5.95 and $7.50 respectively through Amazon.com.I have looked at dozens if not hundreds of editions about Sherlock Holmes over the years, but these two editions are without question the most desirable copies. I possess twenty-two Holmes books in my private library. These two are my most prized.BTW. Sherlock Holmes has often been quoted saying "Elementary my dear Watson", where upon he promptly explains the crime's solution to a sometimes bewildered Dr. Watson. Fact is, Holmes never uttered that precise and worn phrase in any of the Doyle stories.

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The Return of Sherlock Holmes, by Sir Arthur Conan Doyle

The Return of Sherlock Holmes, by Sir Arthur Conan Doyle
The Return of Sherlock Holmes, by Sir Arthur Conan Doyle

Sabtu, 29 Juni 2013

The expendable spy: a tale of World War II, by Maximilian Lerner

The expendable spy: a tale of World War II, by Maximilian Lerner

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The expendable spy: a tale of World War II, by Maximilian Lerner

The expendable spy: a tale of World War II, by Maximilian Lerner



The expendable spy: a tale of World War II, by Maximilian Lerner

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From the deserts of Libya and Egypt to the icy lakes of Scotland, from London under the Blitz to German occupied France, from Alpine glaciers to the stately homes of Britain, this book ranges over the landscapes of World War II. Its protagonist escapes from Austria with a burning desire for revenge after the murder of his parents by an SS officer. He becomes a British agent, is involved in numerous missions against the German enemy and at the same time hunts for the killer of his parents. At the climax of the book, just as he finds the murderer, he is ordered by his chief to sacrifice his life and the life of the woman he loves in order to ensure the success of the invasion of Normandy by the Allies. Will he comply - and is it necessary?

The expendable spy: a tale of World War II, by Maximilian Lerner

  • Amazon Sales Rank: #1149793 in eBooks
  • Published on: 2015-03-08
  • Released on: 2015-03-08
  • Format: Kindle eBook
The expendable spy: a tale of World War II, by Maximilian Lerner

About the Author The Author was born in Vienna, Austria. He escaped the Nazi annexation of Austria, escaped again from Paris as German troops approached, escaped for a third time from occupied into unoccupied France, made his way through Spain and Portugal to one of the last ships to leave Europe and arrived in the U.S. shortly before Pearl Harbor. He then joined the U.S.Army, was trained in the famous spy school at Camp Ritchie, Md. and served as an OSS operative and a Special Agent of the Counter Intelligence Corps in the liberation of Europe. He used his personal story to ensure the authenticity of the background of this novel. Another novel - THE IMPROBABLE SPY and a Memoir of his own adventures, FLIGHT AND RETURN have been published.


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16 of 18 people found the following review helpful. A powerful tale of espionage By A Customer Written by a member of the Office of Strategic Services during World War II, this is a gripping story of espionage. The plot is suitably complex with viewpoint characters from the Allied and the German side. The young protagonist has the intelligence and nerve to deal with the many missions he undertakes for the British, The callousness of his chief, head of Military Intelligence, is totally realistic. The writer's experience is demonstrated by the accurate historical background.This book is compelling and competes favorably with the best of the spy novelists.

12 of 13 people found the following review helpful. Just Okay By Rick Mitchell This novel is just okay. The plot is decent. An Austrian Jew, Kurt Auster, flees Vienna after his parents are killed by the SS. He manages to get to Switzerland and then begins a saga worthy of Bond or Hawkes or any other war time superhero. After learning English and French he becomes valuable to his British masters and he is sent throughout Europe hitting several highlights of WWII. Like all good heroes he always gets through the nastiest of situations.Interspersed in the book are paragraphs outlining the history of WWII. This attribute, along with a certain amateurish quality of the writing, made me think at times that this book was written for young adults. Every thought of every character is written out, leaving nothing for the reader's own discernment.One thing that is not for young adults is the female cast of the book. Literally, every woman introduced in the book after Kurt's mother, could have appeared in a porn movie. Although the sex is not portrayed in graphic detail, it is graphic enough that I would not give this book to a youth to read.The plot is good. The writing pedestrian. All-in-all a pretty entertaining mediocre book.

5 of 6 people found the following review helpful. Tom Clancy Courage, without the technoweapons By A Customer This was a delightful adventure tale, with a hero with unbounded courage and ingenuity presented in a writing style that was constantly engaging. The characters were vividly presented, and the scenes with uncluttered detail as the author leads us through the maturation of a young refugee with nothing to lose and a passion for revenge. In a World War II setting, the story is presented with the grim reality of the weapons of war at the time, so that the reader need not be concerned about getting caught up in weaponry jargon. Rather, the story moves by people and events. I relished the tale, and was sad when the book drew to an end.

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The expendable spy: a tale of World War II, by Maximilian Lerner

The expendable spy: a tale of World War II, by Maximilian Lerner
The expendable spy: a tale of World War II, by Maximilian Lerner

Rabu, 26 Juni 2013

Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

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Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold



Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

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It was the middle of the day but the sky through the grimy windows was dark with storm clouds. This was the first time in her life Meleri was parted from her family, she’d never felt so alone. Doubts crept into her mind. Had she made the best choice by coming to this desolate place and how could she possibly succeed in this task by herself? For many years Meleri has suffered terrible dreams and can’t ignore the deepening sense of foreboding they convey. When secrets from the past are revealed, she fears a dreadful affliction will befall her. But worse still, not just her. Meleri begins a quest and a race against time, to save herself and her younger sister Olwyna. She will travel farther than she could ever have imagined to search for answers. During her journey, Meleri meets an intriguing stranger who is on a mission of his own. She feels an inexplicable connection to this handsome young man. Will they be able to help each other? And how might their fates be influenced by the mysterious guardians they encounter? Although Meleri had always believed in magic, she had no idea how truly evil it could be.

Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

  • Amazon Sales Rank: #2661653 in eBooks
  • Published on: 2015-03-09
  • Released on: 2015-03-09
  • Format: Kindle eBook
Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

About the Author Jennifer Clissold is a freelance writer with a Diploma of Journalism - Travel Writing. Jennifer loves going on adventures to different places and when her feet aren't itchy, resides in South East Queensland, Australia. Published works include short stories in Skive Magazine: ‘‘The Girl in the Corner.’ And in Skive Magazine’s Final Edition: ‘Misfortune in Umbrae Town.’ www.facebook.com/Jennifer.A.Clissold.Author Blog: flairtocreate.wordpress.com


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0 of 0 people found the following review helpful. Gypsies and Magic By Karen Maree A tale of magic, Gypsies and curses that have torn a special family apart. This story takes you on a journey full of secrets, sacred crystals and stranger’s lives being entwined. The setting is an idyllic days of old and an adventure with many twists. A great read which will appeal to all readers who enjoy the mysteries of magic and gypsy lore.

0 of 0 people found the following review helpful. Five Stars By Lynette McGovan Fantastic book. Enjoyed reading it very much. Recommend it

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Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold
Meleri's Quest (Echo of the Crystals Book 1), by Jennifer Clissold

Senin, 24 Juni 2013

George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version),

George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer

Book enthusiasts, when you need a brand-new book to check out, find guide George Washington: Color Illustrated, Formatted For E-Readers (Unabridged Version), By William Roscoe Thayer below. Never ever stress not to locate just what you require. Is the George Washington: Color Illustrated, Formatted For E-Readers (Unabridged Version), By William Roscoe Thayer your needed book currently? That's true; you are actually a good user. This is a perfect book George Washington: Color Illustrated, Formatted For E-Readers (Unabridged Version), By William Roscoe Thayer that originates from fantastic writer to show you. Guide George Washington: Color Illustrated, Formatted For E-Readers (Unabridged Version), By William Roscoe Thayer offers the very best encounter as well as lesson to take, not just take, yet likewise learn.

George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer

George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer



George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer

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Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes. Includes: 15 Colored Illustrations and Biography George Washington was larger than life and often called the "indispensable man". This is one of the finer single volume biographies of Washington, making ample use of his letters and writings, giving us a rich portrait of the man behind the legend. The tone of the book is "matter of fact" and seemingly free of unsubstantiated opinion and it manages to cover most of the main events of Washington's life. Rather than being a dry, fact-based account of Washington's life, Thayer's biography has interest and flavor that provide terrific insight into the Father of Our Country.

George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer

  • Amazon Sales Rank: #2839196 in eBooks
  • Published on: 2015-10-24
  • Released on: 2015-10-24
  • Format: Kindle eBook
George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer


George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer

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58 of 62 people found the following review helpful. short in depth biography By John Roach This volume gives a short factual bio of the great man. The author dispels some of the myths of the generals childhood and paints a picture of a man who was greater than life. Published in 1922 the book is somewhat dated in language but I believe that the story is told better than it would be by modern revisionist historians.

24 of 24 people found the following review helpful. Another clear, very interesting, great looking book. By bmarsh@iamerica.net Although the Amazon page doesn't show the wonderful cover, it shows the young George on a white horse--Washington's white charger became his trademark. Beautifully illustrated, and a direct, unfanciful text. A perfect introduction to the growing up and future of our first President, with no nonsense. The d'Aulaires were stylists and were accurate, visiting the sites. They won many prizes. They deserved every one. A perfect introduction to the life of George Washington.

18 of 18 people found the following review helpful. This is a gem, history picture book makes GW come alive! By Good Yarns Put this in your home library! My kids want more and more of this. They love history but get bored without pictures. This author makes the past people and places come alive for them. They remember and understand the detailed and engaging historical tales.

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George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer

George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer
George Washington: Color Illustrated, Formatted for E-Readers (Unabridged Version), by William Roscoe Thayer

Kamis, 20 Juni 2013

Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel

Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel

Things I'll Never Say: Stories About Our Secret Selves, By Ann Angel. Discovering how to have reading practice resembles learning to attempt for eating something that you truly do not really want. It will need more times to assist. Furthermore, it will also little bit make to offer the food to your mouth and swallow it. Well, as reviewing a book Things I'll Never Say: Stories About Our Secret Selves, By Ann Angel, sometimes, if you must read something for your brand-new tasks, you will certainly really feel so woozy of it. Also it is a book like Things I'll Never Say: Stories About Our Secret Selves, By Ann Angel; it will make you really feel so bad.

Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel

Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel



Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel

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Fifteen top young-adult authors let us in on provocative secrets in a fascinating collection that will have readers talking.A baby no one knows about. A dangerous hidden identity. Off-limits hookups. A parent whose problems your friends won’t understand. Everyone keeps secrets—from themselves, from their families, from their friends—and secrets have a habit of shaping the lives around them. Acclaimed author Ann Angel brings together some of today’s most gifted YA authors to explore, in a variety of genres, the nature of secrets: Do they make you stronger or weaker? Do they alter your world when revealed? Do they divide your life into what you’ll tell and what you won’t? The one thing these diverse stories share is a glimpse into the secret self we all keep hidden.With stories by:Ann AngelKerry CohenLouise HawesVarian Johnsonerica l. kaufmanRon KoertgeE. M. KokieChris LynchKekla MagoonZoë MarriottKaty MoranJ. L. PowersMary Ann RodmanCynthia Leitich SmithEllen Wittlinger

Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel

  • Amazon Sales Rank: #1168613 in Books
  • Brand: Angel, Ann (EDT)
  • Published on: 2015-03-24
  • Released on: 2015-03-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.10" h x 1.10" w x 5.60" l, .0 pounds
  • Binding: Hardcover
  • 320 pages
Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel

From School Library Journal Gr 10 Up—In this collection of dramatic short stories by various authors, all of the protagonists have secrets, though some are more intense and life-altering than others. Other than fulfilling this unifying theme, the entries are quite diverse. They span across several genres, including realistic, paranormal, and historical fiction. Regardless of the setting, these tales tackle often taboo subjects, such as inappropriate relations with teachers, gender issues, and mental disorders. Inclusion of drugs, alcohol, swearing, and liaisons between teens and more mature adults make this work appropriate for older readers. As with any short story collection, the quality of writing varies from one story to another. Some are well written like Chris Lynch's atmospheric and well-paced "Lucky Buoy," while others are poorly executed, like Ron Koertge's "Call Me!" with its feeling of not-quite-coherent randomness. Overall, this collection will resonate with many young adults who have their own secrets as well as readers who vicariously live through the risqué lifestyles of others. VERDICT A very discussible title for fans of Chris Lynch's and Ellen Hopkins's hard-hitting realistic fiction.—Carol Hirsche, Provo City Library, UT

Review The collection offers many worthy entries.—Kirkus ReviewsRather than providing tidy solutions to the characters’ dilemmas, the stories focus on the feelings of entrapment and anxiety that go along with living a lie.—Publishers WeeklyThis collection will resonate with many young adults who have their own secrets as well as readers who vicariously live through the risqué lifestyles of others.... A very discussible title for fans of Chris Lynch’s and Ellen Hopkins’s hard-hitting realistic fiction.—School Library JournalThis new collection of short stories about secrets is an ideal combination of form and subject.... The balance and diversity that Angel has achieved here is marvelous, and nearly any teen who picks this up will find a bit of herself or himself—or at least a friend—inside these pages. A collection to treasure and share widely.—BooklistThe assortment of approaches to the theme of our secret selves offers plenty of surprises for the reader.—Horn BookA thought- provoking collection.—Bulletin of the Center for Children's Books

About the Author Ann Angel is the author of many biographies, including Janis Joplin: Rise Up Singing, which won a YALSA Award for Excellence in Nonfiction for Young Adults. Previously, she served as contributing editor for the anthology Such a Pretty Face: Short Stories About Beauty. A graduate of Vermont College’s MFA program in writing for children and young adults, Ann Angel directs the English graduate program at Mount Mary University in Milwaukee, where she lives with her family.


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4 of 4 people found the following review helpful. A diverse and realistic anthology By Liviania Ann Angel's first outing editing an anthology is an impressive venture. She's gathered a wonderful mix of authors, from established award winners like Chris Lynch and Ellen Wittlinger to talented up to a debut author. The authors aren't just diverse in their name recognition either. THINGS I'LL NEVER SAY: STORIES ABOUT OUR SECRET SELVES dwells in those experiences that are hard to talk about, that people like to never think about.It's fitting that it is a very diverse anthology, not only the authors, but also the main characters, who are black and white and Asian and gay and bisexual and transgender and suffering from mental illness. Although not all of the stories are realistic, they do strive for a realism about the teen experience, and the multiplicity of points of view represented help support that anthology-wide tone.I'll admit that the anthology started a little slow for me. The usually reliable Ellen Wittlinger didn't knock it out of the park with "The We-Are-Like-Everybody-Else Game," the story of a girl with a mom who hoards and a friend who might not deserve the title (but one who does). "Cupid's Beaux" by Cynthia Leitich Smith is charming, and a definite delight to me as a fan of her Tantalize series. Will anthology readers who haven't read that series be a little lost?"When We Were Wild" by Louise Hawes and "Call Me!" by Ron Koertge are both delightfully loose stories, slightly naughty and shaggy with narrators who struggle with their knowledge of their own cruelty. Of the sadder stories, I think I liked "Easter" by Mary Ann Rodman best, for the way it captured loss and teenage confusion and dashed hopes."Quick Change" by E.M. Kokie is a little gem about a con artist in a family of con artists, and I want an entire novel about what happens next. (Short stories have been made into novels before! I can hope!) "Storm Clouds Fleeing From the Wind" by Zoë Marriott is the standout of the collection. It's an achingly lovely story set in a kingdom that isn't, about a dancer who cannot be matched, especially when furious. Her bio in the back of THINGS I'LL NEVER SAY says that it is related to her novel SHADOWS ON THE MOON, which is now a must-read for me.Honestly, I could tell you good things about almost all of the stories in the collection. There were a handful that I didn't care for, but there were also two excellent stories and more than half of the stories were good-to-great. I think that's a good ratio for an anthology. With THINGS I'LL NEVER SAY, Ann Angel shows great promise as an anthologist as well as an author.

1 of 1 people found the following review helpful. Fantastic collection By Rita Schopmeyer These stories are fantastic! If you enjoy short suspenseful stories, then you should pick up your copy today. I'm not much of a reader, so I don't know who these authors are, but reading a sample of each one gives me an idea of who I'd like to buy a book from.

0 of 0 people found the following review helpful. An excellent anthology! By The Compulsive Reader I'm a huge fan of short stories, so it's been great to see a slight increase in YA short story anthologies out lately. I enjoyed My True Love Gave to Me, and I just bought Slasher Girls and Monster Boys. One really great anthology I enjoyed lately (with a lot of my favorite VCFA writers!) was Things I'll Never Say: Stories About Our Secret Selves, edited by Ann Angel.This anthology includes some really excellent writers, like Cynthia Leitich-Smith, Varian Johnson, Kekla Magoon, Louise Hawes, Chris Lynch, and Ellen Wittlinger. Secrets is a marvelously broad and very appropriate topic for an anthology for teens, and the stories range from speculative to contemporary, containing secrets big and small that all have a powerful hold on the characters who are privy to them. While it's difficult to universal comparisons between all of these incredibly diverse stories, this anthology is more about the effect that secrets have on the characters rather than how to solve the problems that the secrets cause. As a result, this anthology is thought-provoking and surprising.I loved the realistic stories from Varian Johnson, Ann Angel, and Kekla Magoon, and Cynthia Leitich-Smith's short story set in her Tantalize universe stood on its own, but also will appeal to fans of the series. Most of the stories present situations that are familiar and easily recognizable--parental problems, dating and relationship issues, destructive behavior. Some secrets are larger, more extravagant--secret identities, betrayals, and dangerous relationships. Even the fantastical stories feature secrets that readers will be able to relate to, making for a well-rounded and exciting anthology.

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Things I'll Never Say: Stories About Our Secret Selves, by Ann Angel

Rabu, 19 Juni 2013

The Boy Who Said No: An Escape To Freedom, by Patti Sheehy

The Boy Who Said No: An Escape To Freedom, by Patti Sheehy

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The Boy Who Said No: An Escape To Freedom, by Patti Sheehy

The Boy Who Said No: An Escape To Freedom, by Patti Sheehy



The Boy Who Said No: An Escape To Freedom, by Patti Sheehy

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Love, Loss, and Courage

As a boy, Frank Mederos’s grandfather teaches him to fish, to navigate the seas, and to think for himself, much needed skills under the new Castro regime. When Frank is drafted into the army, he is soon promoted to the Special Forces, where he is privy to top military secrets. But young Frank has no sympathy for Fidel. He thirsts for freedom and longs to join his girlfriend who has left Cuba for America.

Frank yearns to defect, but his timing couldn’t be worse. After two unsuccessful escape attempts, he learns that the departure of the next available boat conflicts with upcoming military exercises. If Frank stays, he will miss the boat. If he doesn’t, he will be the object of a massive manhunt.

Problems abound: How will Frank escape the army base without being seen? Where will he hide until the boat comes? How can he outwit his commanding officer? And how can he elude hundreds of soldiers ordered to bring him back “dead or alive”?

Frank’s true story, a tale of love, loss, and courage, will keep you on the edge of your seat until the very end.

The Boy Who Said No: An Escape To Freedom, by Patti Sheehy

  • Amazon Sales Rank: #5447411 in Books
  • Brand: Sheehy, Patti/ Leyva, Henry (NRT)
  • Published on: 2015-03-17
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 11 Hours
  • Binding: MP3 CD
The Boy Who Said No: An Escape To Freedom, by Patti Sheehy

About the Author Patti Sheehy is a graduate of Rider University and has spent her career in public relations and marketing as an executive in marketing and communications, primarily in the health care industry. She lives with her husband, Robert Hunter, in Haddon Heights, New Jersey. The Boy Who Said No is her first novel and while writing it, she worked closely with the real-life protagonist, Frank Mederos.


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56 of 58 people found the following review helpful. Journey Towards FREEDOM By Book Preview Review Book Description:"As a boy Frank Mederos's grandfather teaches him to fish, to navigate the seas, and to think for himself, much needed skills under the new Castro regime. When Frank is drafted into the army, he is soon promoted to the Special Forces, where he is privy to top military secrets. But young Frank has no sympathy for Fidel. He thirsts for freedom and longs to join his girlfriend who has left Cuba for America.Frank yearns to defect, but his timing couldn't be worse. After two unsuccessful escape attempts, Frank learns that the departure of the next available boat conflicts with upcoming military exercises. If he stays, he will miss the boat. If he doesn't, he will be the object of a massive manhunt.Problems abound: How will Frank escape the army base without being seen? Where will he hide until the boat comes? How can he outwit his commanding officer? And how can he elude hundreds of soldiers ordered to bring him back "dead or alive"?Frank's true story, a tale of love, loss and courage that will keep you on the edge of your seat until the last page is turned."Initially begun as a writing of family history, Sheehy quickly decided this biography needed to be shared with a much wider audience. Though a true-life account, it reads like an excellent novel. Fascinating and powerful, this gripping chronicle will have you glued to every single word until the very last page.An honest account of life in Cuba under Fidel Castro's new regime - high unemployment, fear, low morale and poverty. Communism. What wasonce beautiful, plentiful and well tended suddenly became shabbier, littered and unkempt. Frank's bravery, dedication and sheer determination make this story a must read for anyone ages 12 and older. An honorable account of one man's journey towards freedom.

25 of 27 people found the following review helpful. Strong message with a brilliant narrative By Wanda The Boy Who Said NoAn Escape to Freedomby Patti SheehyI requested to review this book due to my love for history.It was with shock and dismay that I discovered how very little I know about this history in particular.This is despite me watching hours of documentaries on Fidel Castro and his brother.How Cuba was taken by them via a revolution and how they wished to become the major Russian Communist backed country in Latin America.This book addressed no lofty ideals, never answered the WHY but gave an excellent account of the how and the impact of this on the lives of normal Cuban citizens.I loved the fact that this is based on a true story which lend Franky an edge afforded to no fictional character but which is all his own.I really loved this book and would recommend all history lovers to read this for themselves.

14 of 15 people found the following review helpful. Brilliant By Joyce Herrman This is a book about freedom and love and the journey it took to capture and hold onto them both; and yet it is much, much more.I feel sometimes we are easily conditioned to loud and action stylized dialogue in our media and novels. Often writers will force action and drama in words that occupy only that "shock sensory nerve" that after a time, becomes more an annoyance than clarity to a story. The Boy Who Said No is different because it takes you back to the way we used to read...the way we WANT to hear a story...It's the 1950' and 60's and Cuba begins to shape and change its history. The young people are struggling to understand the cultural/military changes in their landscape all the while Castro is loudly proclaiming his is the only truth to be heard and obeyed. Raised to be a loving, honorable and decent young man, Frank does not feel there is a struggle between what is right and wrong, even when death is clearly maybe the only escape from the madness. This is what makes it exciting, that one mans journey can affect a multitude of cultures and people. This is why it is a book to be read by our youth and by those whose freedom is challenged daily.This is riveting story telling, a book you won't want to put down.

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Selasa, 18 Juni 2013

The House of Mirth, by Edith Wharton

The House of Mirth, by Edith Wharton

Why should be this publication The House Of Mirth, By Edith Wharton to review? You will never ever get the expertise as well as encounter without managing yourself there or attempting by on your own to do it. Hence, reviewing this publication The House Of Mirth, By Edith Wharton is required. You can be great and proper adequate to get exactly how important is reviewing this The House Of Mirth, By Edith Wharton Also you always review by responsibility, you can assist yourself to have reading publication behavior. It will be so useful and also fun after that.

The House of Mirth, by Edith Wharton

The House of Mirth, by Edith Wharton



The House of Mirth, by Edith Wharton

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The House of Mirth

The House of Mirth, by Edith Wharton

  • Published on: 2015-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .79" w x 6.00" l, 1.03 pounds
  • Binding: Paperback
  • 350 pages
The House of Mirth, by Edith Wharton

Review With an introduction by Elizabeth Hardwick, Contemporary Reviews, and LettersBetween Edith Wharton and Her Publisher "A frivolous society can acquire dramatic significance only through what its frivolity destroys."--Edith Wharton Lily Bart knows that she must marry--her expensive tastes and mounting debts demand it--and, at twenty-nine, she has every artful wile at her disposal to secure that end. But attached as she is to the social world of her wealthy suitors, something in her rebels against the insipid men whom circumstances compel her to charm."Why must a girl pay so dearly for her least escape," Lily muses as she contemplates the prospect of being bored all afternoon by Percy Grice, dull but undeniably rich, "on the bare chance that he might ulti-mately do her the honor of boring her for life?" Lily is distracted from her prey by the arrival of Lawrence Selden, handsome, quick-witted, and penniless. A runaway bestseller on publication in 1905, The House of Mirth is a brilliant romantic novel of manners, the book that established Edith Wharton as one of America's greatest novelists. "A tragedy of our modern life, in which the relentlessness of what men used to call Fate and esteem, in their ignorance, a power beyond their control, is as vividly set forth as ever it was by Aeschylus or Shakespeare." --The New York Times Edith Wharton (1862-1937) was awarded the Pulitzer Prize in1920 for The Age of Innocence. But it was the publication of The House of Mirth in 1905 that marked Wharton's coming-of-age as a writer."

From the Publisher Designed for school districts, educators, and students seeking to maximize performance on standardized tests, Webster’s paperbacks take advantage of the fact that classics are frequently assigned readings in English courses. By using a running thesaurus at the bottom of each page, this edition of The House of Mirth by Edith Wharton was edited for students who are actively building their vocabularies in anticipation of taking PSAT®, SAT®, AP® (Advanced Placement®), GRE®, LSAT®, GMAT® or similar examinations.

PSAT® is a registered trademark of the College Entrance Examination Board and the National Merit Scholarship Corporation neither of which sponsors or endorses this book; SAT® is a registered trademark of the College Board which neither sponsors nor endorses this book; GRE®, AP® and Advanced Placement® are registered trademarks of the Educational Testing Service which neither sponsors nor endorses this book, GMAT® is a registered trademark of the Graduate Management Admissions Council which is neither affiliated with this book nor endorses this book, LSAT® is a registered trademark of the Law School Admissions Council which neither sponsors nor endorses this product. All rights reserved.

About the Author Edith Jones Wharton (1862 1937) was born in New York City into a family of merchants, bankers, and lawyers. She was educated privately by tutors and governesses. In 1885, she married Edward Wharton of Boston; the couple lived in New York, Newport, Lenox, and Paris until their divorce in 1913, when Wharton settled permanently in Paris. During World War I, Wharton was active in relief work in France, and in 1915, she was decorated with the Cross of the Legion of Honor for her service. Edith Wharton s earliest stories were published in "Scribner s Magazine," but she did not include these in her first collection of short stories, titled "The Greater Inclination" (1899). Her most famous novels include "The House of Mirth" (1905), "Ethan Fromme" (1911), the Pulitzer Prize winner "The Age of Innocence" (1920), "The Children" (1928), "Hudson River Bracketed" (1929), and "The Gods Arrive" (1932). Wharton also wrote, in addition to her novels and short stories, her autobiography, "A Backward Glance" (1934). She died at her villa near Paris. Anna Quindlen is the "New York Times" bestselling author of several novels, including "Object Lessons, Black and Blue, One True Thing, "and "Still Life with Bread Crumbs." A longtime columnist for the" New York Times," for which she won a Pulitzer Prize, she has also published memoirs and commentary such as "Lots of Candles, Plenty of Cake, " and several books for children. Michael Gorra is a professor of English at Smith College. Among his acclaimed books are "Portrait of a Novel: Henry James and the Making of an American Masterpiece "(a finalist for the Pulitzer Prize for Biography) and "The English Novel at Mid-Century." His essays and reviews have been published in the "New York Times Book Review, "the" Atlantic, "the" New York Review of Books, "the" Times Literary Supplement, "and the "Hudson Review," and he has won a National Book Critics Circle award for reviewing."


The House of Mirth, by Edith Wharton

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180 of 190 people found the following review helpful. MY FRIEND LILY BART By Charles Slovenski I stumbled upon a review of the recent film of THE HOUSE OF MIRTH in the TLS and, in order to have the novel firmly fixed in my mind (that is, before the lush, seductive images of film forever eradicated Wharton's novel from me) I dragged my copy off the shelf for a re-read. It had been 16 years since I last read of Lily Bart and her life, and I didn't realize how much I had missed her. For me, this is one of the great reading experiences, one of a handful that make reading a book the deeply moving and human exchange that it is. Despite the distance of wealth, property, time and manners, Wharton manages to make Lily's world and life palpable to anyone who will listen. The clash of money, morals, personality and circumstance is infinitely developed and played out in front of a never fading natural world. Once again, I was deeply moved by Lily Bart and at the end, felt I had lost someone myself.

142 of 154 people found the following review helpful. A Brilliant Novel Of A Brittle Society And A Tragic Heroine. By Jana L.Perskie Edith Wharton's "The House Of Mirth" is a sad, but brilliant commentary on the closed, repressive society of the rich, upper class, New York nobility, at the dawn of the 20th century. It is also the story of the downfall of one woman, who attempts to live by her own rules, with no sponsor and no money of her own. Her parents are dead and she lives with relatives.Lily Bart is one of society's most eligible women, at the height of her powers, when the novel opens. Though she has little money, she has family connections, good breeding and the hope of coming into an inheritance. Beautiful and very charming, Lily has been brought up to be an ornament, as were most women of her class at that time. She is a gilded bird with a noble heart, but clearly she is not aware of the restrictions of her cage. Part of Lily's tragedy is that she does have character, spirit, and a conscience. However, she does not know how to align these attributes, with her ornamental avocation, and her ambitions to marry a wealthy man of good birth.As expected, Lily is popular with both bachelors and married men. Most of the bachelors propose marriage at on time or another. The only man she has real affection for is her dear friend, Lawrence Seldon, a barrister, whose lack of income makes him entirely unsuitable as a husband. Lily had developed a gambling habit to support her lifestyle, and supplement her allowance. An unfortunate losing streak has put her into debt. In her naivete, she forms an unsavory business alliance with a married man. Later, she is unjustly accused of having an affair with him and their business arrangement also come to light.Her family cuts her off without a penny. Society friends and connections reject their former darling, trying to extricate themselves from any repercussions Lily's indiscreet behavior may have on their reputations. Former friends turn vicious. The irony is that Lily has never committed any of the sins she is accused of. Several of her friends have, and frequently...but their sins are committed with the utmost discretion. Lily's crime is indiscretion. Her beaus disappear, as do her marriage prospects. The hypocrisy of her class becomes more apparent to her, as she searches for a means to survive, with all the familiar doors closed in her face.Lily seeks employment as a seamstress in the New York City slums, and lives there also, in a humble room with no refinements. Having no formal training and no real ambition, (her ambivalence about work is obvious), she sinks into deep depression and begins to decline. Laudanum helps her to sleep, and she becomes dependent on the drug.Lily's descent, from society's beautiful darling to a disheveled, desperate woman living in a shabby hotel room, addicted to drugs, is disturbing reading, to say the least. Her decline seems inevitable, especially after we read of her many poor and self-destructive decisions. She seems to sabotage herself. However, Lily Bart is ultimately the victim of a cruel society that sacrifices anyone who does not conform to its expectations.After reading "House Of Mirth," for the first time several years ago, Lily's character has remained clear in my mind. I think of her from time to time with great poignance and a sense of personal loss.

49 of 51 people found the following review helpful. "A handsome girl who flirted with a married man was merely assumed to be pressing...her opportunities." By Mary Whipple Published in 1905, The House of Mirth offers a blistering social commentary on the lifestyles and behavior of super-rich society. Having grown up in this society, Wharton evaluates it here as an insider, and her trenchant observations give this early novel a liveliness and verisimilitude not characteristic of "aristocratic" novels written by outsiders. Set at a time in which the old, moneyed aristocracy was being forced to admit newcomers who had made their recent fortunes through industry, the novel shows moneyed society in flux, the old guard ensuring their exclusivity against parvenus who are not the "right type," at the same time that their sons and daughters were often securing large fortunes through marriage into some of these new families.Lily Bart, a beautiful young woman of good family whose father lost everything when she was only nineteen, is left dependent on wealthy relatives in this society until she can charm a financially secure suitor into marriage. At age twenty-nine, she is no longer a debutante, and the pressure is mounting for her to marry, though she lacks the unlimited financial resources of social rivals. Still, her wit and charm make her a delightful companion, and she is never at a loss for suitors. Intelligent enough to want a real marriage and not just a merger between families, she has resisted making a commitment to date, though the clock is ticking.As Lily tries to negotiate a good marriage and future for herself, she is aware that the competition is fierce. Women "friends" pounce on the latest gossip and spread rumors to discredit rivals, and Lily's reputation is tainted with hints of impropriety. Her opportunities for a good marriage begin to dwindle, and when her aunt, Mrs. Peniston, dies and leaves her a bequest that covers only her debts, Lily is no longer able to compete in the society so attractive to her and begins her downward spiral.Wharton creates a complete picture of turn-of-the-century New York society and its "important" people--their lack of scruples, their opportunism, their manipulations, and their smug self-importance, characteristics one may also see in Lily when she is part of this society, though there is a limit on how far she will stoop. But Wharton also shows how quickly a woman may become an outcast when the money runs out and she is thrown on her own resources without any training for any other kind of life. A well-developed melodrama filled with revealing details, this novel established Wharton's reputation as a novelist/commentator on the manners and morals of high society and those who would participate in it. n Mary Whipple

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Sabtu, 15 Juni 2013

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Jumat, 14 Juni 2013

The Legacy of Cain, by Wilkie Collins

The Legacy of Cain, by Wilkie Collins

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The Legacy of Cain, by Wilkie Collins

The Legacy of Cain, by Wilkie Collins



The Legacy of Cain, by Wilkie Collins

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Wilkie Collins was a British author best known for his mystery novels.  Some of Collins’ classics include The Moonstone, Armadale, and No Name.  This edition of The Legacy of Cain includes a table of contents.

The Legacy of Cain, by Wilkie Collins

  • Amazon Sales Rank: #2029804 in eBooks
  • Published on: 2015-10-26
  • Released on: 2015-10-26
  • Format: Kindle eBook
The Legacy of Cain, by Wilkie Collins

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About the Author English novelist and playwright Wilkie Collins was a prolific writer with a body of work comprising thirty novels, over sixty short stories, more than a dozen plays, and a wide range of non-fiction pieces. Collins is best known for his novels The Woman in White, an early sensation novela genre combining shocking gothic horror with everyday domestic settingsand The Moonstone, which is credited as one of the first modern mystery novels. In the 1850s Collins met Charles Dickens and the two struck up a friendship, which lead to Collins becoming a frequent contributor to Dickens s journals Household Words and All the Year Round. Many of his stories have been adapted for film, including Basil, A Terribly Strange Bed, The Moonstone and The Woman in White. Collins died in 1889 at the age of 65.


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3 of 3 people found the following review helpful. Nature or Nurture? By JanRemarque Wilkie Collins is better known for two other novels, THE MOONSTONE and THE WOMAN IN WHITE but THE LEGACY OF CAIN is their equal, in my opinion.A minister is persuaded by an aristocratic woman (who is about to be hanged for murdering her husband) to take her infant daughter and raise her as his own. As happens frequently, the childless couple adopts the child and before long have a daughter of their own.The story explores, partly through the governor (warden) of the prison who is a friend of the minister, how these two girls grow up in the exact same circumstances, never suspecting they are not blood sisters, and how differently they turn out.The governor's narration explores the nature or nurture question in a thoughtful and provocative manner without making an absolute judgment.Anyone interested in this subject would certainly find this story interesting.Wilkie Collins' writing is surprisingly modern and without the flowery prose that was so common during the 1800's.

2 of 2 people found the following review helpful. An unusual and delightful book By Israel Drazin Wilkie Collins (1824-1889), a friend and sometime co-author of Charles Dickens, wrote enjoyable books. He was the inventor of detective novels. He is best known for his books “The Woman in White” and “Moonstone.” His plots are unusual and suspenseful. Even some plots of his non-detective tales have the flavor of that genre. He has a keen understanding of psychology, which is reflected frequently in his tales. In this book two sisters grow up not knowing that they are not related biologically, and turn out differently.The story begins when a female prisoner who was sentenced to be hung for the horrible way she killed her husband persuades a minister, Mr. Gracedieu, to adopt her infant daughter. The minister and his wife have no children and do not expect to be able to have any. A doctor warns him that human nature causes physical and personality traits of parents to be inherited by their children, and tries to persuade the minister not to take the child because he will face horrors when the child grows up because she will have her mother’s despicable traits. The minister disagrees and states that his Christian lessons and pious home habits will assure the child grows into a responsible woman. The plot therefore focuses on what causes evil: heredity or environment or, to put it simply, is there a legacy of Cain?The plot is amplified when the minister’s wife unexpectantly gives birth to a daughter and, unknown to her husband, tells the head of the prison in a venomous manner that she does not want the hung woman’s child and will do all she can to dispose of the child even though her husband wants her. She tries to gain his help in the enterprise, but he refuses. She dies before she can carry out her plan. The minister does all he can to hide that his adopted daughter is the child of a sinister murderess. He refuses to reveal to his daughters that one of them is adopted, and for unusual reasons asserts that he does not want to say which of the two is older. This act raises the curiosity of people who hear about it. He names his adopted daughter Eunice, which, not mentioned or even hinted by Collins, is based on the Greek “eu,” meaning “good,” while the minister’s wife names her daughter Helena against his wishes, a name that is reminiscent of Helen of Troy. Is this meant to be ironic?The plot swells by the entrance of several characters into the lives of the children, including the mistress of the murdered husband, Miss Chance, who strongly disliked his wife who killed him and her daughter, who is determined to harm the daughter. Another is the entrance into the minister’s home of the minister’s cousin, Miss Jillgall, who Helena thinks is mean-hearted and duplicitous, while Eunice considers her a nice person. The well-meaning minister brought her into his home because she had nowhere else to live. One of her friends is Miss Chance. Jillgall is overly curious and a busy-body. Still another character introduced into the tale is the rich husband of the murderess’s sister who was no longer alive, who offered to help place the child, but refused to bring the child into his home lest his son fall in love with this tainted girl and want to marry her. He is not told that the minister adopted her.Years later, the two girls are eighteen. Helena, the minister’s natural daughter is far smarter, prettier, and with a warmer personality than Eunice. While Helena is away, Eunice and the son meet, neither knowing the history, and they fall in love. Eunice thinks that the only problem that she might have with this young man is that his father is exceedingly rich while her father is poor, but she is wrong.

1 of 1 people found the following review helpful. Not Wilkie Collins' best By Sharon E. Neufeld If you have read "The Moonstone" and "The Woman in White" and are looking for a Wilkie Collins fix, walk right on by"The Legacy of Cain". An indignant indictment of Victorian prejudices which lacks the subtle evocations of atmosphere that Collins excels at, "Legacy" fails to round out its characters and is short on plot. Consider yourself warned.

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The Tower Mill, by James Moloney

The Tower Mill, by James Moloney

Checking out book The Tower Mill, By James Moloney, nowadays, will certainly not compel you to consistently acquire in the establishment off-line. There is a terrific location to get guide The Tower Mill, By James Moloney by on-line. This website is the most effective site with great deals varieties of book collections. As this The Tower Mill, By James Moloney will certainly remain in this publication, all publications that you need will certainly correct here, also. Merely look for the name or title of guide The Tower Mill, By James Moloney You could discover just what you are searching for.

The Tower Mill, by James Moloney

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The Tower Mill, by James Moloney

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I wondered suddenly what she was thinking and decided she was trying to love me, this son of hers in a school uniform she seemed to despise. It was as though she knew she had to love me, but didn't have the first clue how to go about it. In 1971 the South African Rugby team came to Australia. It was the apartheid era and young demonstrators gathered in protest. Near the iconic Tower Mill, a relic from convict days, they clashed with police. The events of that shocking night would reverberate for the next thirty years through the lives of Susan Kinnane and her son, Tom. When Susan returns home in 1988 for an inquiry into police corruption, she must confront a past she has never reconciled and a son she has never truly known. The Tower Mill is a story about anger and grief and the bond between mother and son. It's also the story about politics, when two decades of backroom deals and shady powerbrokers prompted an entire state to question what it valued.

The Tower Mill, by James Moloney

  • Published on: 2015-03-27
  • Released on: 2015-03-27
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.00" w x 7.75" l, 1.66 pounds
  • Binding: Paperback
  • 440 pages
The Tower Mill, by James Moloney

About the Author James Moloney is a former teacher and librarian, and the author of more than 30 books for children and young adults, including, "A Bridge to Wiseman's Cove," "Dougy," and "Gracey." He is the recipient of a Children's Book Council of Australia Book of the Year Award.


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2 of 2 people found the following review helpful. The Tower Mill By Amazon Customer I am from Brisbane and the character of Susan is a year younger than me - I know where she lived, went to school and the many places mentioned in the book where she and Tom, her son, and the other characters lived and went about their lives. Of course, the Tower Mill protest is etched in my mind and, although I didn't attend this one, I did go on Peace Marches and Right to March marches later. This familiarity was both wonderful and strange - I think I am more used to reading material set in London and LA, rather than in my home town!Maloney certainly captures the times and the feelings of many Queenslanders of that era in Queensland and Australia. I did wonder, at times, if the backdrop of the political and social events of the 70s and 80s was a little contrived.I felt his characterisation of Susan was very unsympathetic and a somewhat 'cardboard cutout' of a feminist activist of the times. I thought that maybe he should have stuck to writing from Tom's perspective - Tom was a more fully rounded character. Perhaps gender is important when writing and I confess that I generally find women often build their characters more fully than many male writers. I also found the resolution at the end of the book a little neat and out of left field - dare I use the word 'contrived' again.Having said all that, I did enjoy the book and I certainly didn't find it difficult to read. My bookclub also enjoyed it, particularly one member of the group who had been at the Tower Mill that night.

1 of 1 people found the following review helpful. Better than OK, but not great By Kate Oszko My main pleasure in reading this book was in being able to visit the main Brisbane sites where the important action happened. I finished the book sitting in the park right near the Old Windmill, just across the road from the Hotel. The 1970s are captured well. Moloney does a great job of capturing the era. A couple of characters are well drawn. For example, Tom is strong and well defined. On the other hand, Susan lacks depth and is unsympathetic until the end, which made the cynical part of me feel that it was a plot device. Moloney's prose style is easy to read and enjoyable, but overall I found the book unsatisfying because of the lack of depth and insight.

0 of 0 people found the following review helpful. A bit dull By LESLEY A JERMAN Quite boring unless you are around John Bielke Peterson's government and the springbok demonstrations and even then it is quite dull

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Minggu, 09 Juni 2013

The Yellow Wallpaper (Diversion Classics), by Charlotte Perkins Gilman

The Yellow Wallpaper (Diversion Classics), by Charlotte Perkins Gilman

Obtaining the publications The Yellow Wallpaper (Diversion Classics), By Charlotte Perkins Gilman now is not kind of tough method. You could not only going with e-book store or collection or loaning from your pals to read them. This is a quite easy means to exactly obtain the e-book by on the internet. This online book The Yellow Wallpaper (Diversion Classics), By Charlotte Perkins Gilman could be one of the options to accompany you when having leisure. It will certainly not waste your time. Think me, guide will certainly reveal you brand-new thing to read. Just spend little time to open this online book The Yellow Wallpaper (Diversion Classics), By Charlotte Perkins Gilman and read them wherever you are now.

The Yellow Wallpaper (Diversion Classics), by Charlotte Perkins Gilman

The Yellow Wallpaper (Diversion Classics), by Charlotte Perkins Gilman



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Featuring an appendix of discussion questions, the Diversion Classics edition is ideal for use in book groups and classrooms.In this haunting short story, a woman details her confinement in an old mansion following the birth of her child. Obsessed by the pattern of the wallpaper in the room she is unable to escape, Jane slowly descends into madness. Delving into issues of mental health and women's rights, this work of early feminist literature continues to captivate readers.

The Yellow Wallpaper (Diversion Classics), by Charlotte Perkins Gilman

  • Amazon Sales Rank: #1350873 in eBooks
  • Published on: 2015-10-27
  • Released on: 2015-10-27
  • Format: Kindle eBook
The Yellow Wallpaper (Diversion Classics), by Charlotte Perkins Gilman

From School Library Journal Gr 2-4–London's novel portrays the interior life of mistreated part-wolf White Fang while exploring the fundamental nature of wild animals and the brutality inherent in vast Alaskan landscapes and inside men's hearts. It does not seem suitable reading material for primary-grade children, and Lutin's picture-book adaptation does not make an effective argument for the attempt. From the first page, in which White Fang's half-dog mother runs with her mate, One-Eye, Lutin falters; London revels in detailing natural impulses and viciousness, but this adaptation betrays his text with a ludicrous statement about the pair's love for one another. Later pages similarly fail to capture the spirit of London's harsh study of instinct and domestication. Guilloppe's visually arresting illustrations may appeal to some comic-book fans, and several spreads effectively use striking silhouettes to convey menace and action without gruesome detail. But overall, the digital artwork's strong lines and vivid colors feel disappointingly flat, lacking the nuance and delicate power of a natural landscape. While the adaptation glosses over many troubling and violent subplots, like initial owner Gray Beaver's descent into alcoholism and White Fang's repeated beatings and deadly dog fights, Lutin includes two gunshots. Many readers enjoy stories of nature, wilderness, and survival; books by Jean Craighead George, Gary Paulsen, and Roland Smith should more than suffice until they choose to explore Jack London's savage classics unchanged.–Robbin E. Friedman, Chappaqua Library, NYα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist Gr. 6-8. Ed Young, whose haunting illustrations of the wolf made his Caldecott- winning Lon Po Po (1989) so memorable, was well chosen as the illustrator for the Scribner Illustrated Classics edition of White Fang. Jack London's 1906 novel. As many will remember, London tells the story of a wolf-dog who endures great cruelty before he comes to know human kindness. The 12 pastel illustrations illuminate the text with their dramatic use of light and dark, sensitively delineated forms, and soft, subtle shades of color. A handsome new edition of a longtime favorite. Carolyn PhelanCopyright © American Library Association. All rights reserved

Review The unnamed narrator and her doctor husband, John, live in "a colonial mansion, a hereditary estate..." She believes the house is haunted. "John laughs at me, of course, but one expects that." She believes she is ill but her husband, and her brother, also a physician, say it is only "temporary nervous depression - a slight hysterical tendency..." They insist on "phosphates or phosphites - whichever it is - and tonics" and absolutely forbid work until she is well again. She believes "Personally...that congenial work, with excitement and change, would do me good. Personally, I disagree with their ideas. But what is one to do? I did write for a while in spite of them; but it does exhaust me a good deal - having to be so sly about it, or else meet with heavy opposition." She is confined to rest in a room she hates with wallpaper she finds hideously ugly: "The color is repellent, almost revolting: a smoldering unclean yellow... dull yet lurid orange in some places, a sickly sulphur tint in others." It is in this room that she writes her secret journal that is this story. She struggles to believe in her husband and brother's "kindness" and "care" while, with terrifying starkness, she narrates her journey into madness. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Jesse Larsen


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13 of 13 people found the following review helpful. Moving and Disturbing By Jonpaul H. Guinn Thematically remarkable for a short story of that time from a female author. Gilman ratchets up the tension of a woman's psychological decline while simultaneously making a pointed critique of the era. It manages to be eerier than much of Poe without ratcheting up the Gothic tendencies of similar stories of psychological decline.

7 of 7 people found the following review helpful. WOMEN ARE PRETTY MUCH PEOPLE, SEEMS TO ME By Pamela A. Poddany THE YELLOW WALLPAPERWritten in January, 1892, by Charlotte Perkins Gilman, THE YELLOW WALLPAPER is a delight and a treat to read. Truly, Gilman was a woman to beat all.THE YELLOW WALLPAPER is one of seven short stories in this small little 70 page book. However, there's nothing small about Gilman's writing. Such candor! Such wit! Such wisdom for a lady in the late 1800's, writing as a profession -- I mean, this was something that was just not done!THE YELLOW WALLPAPER is about a woman who is 'nervous' and depressed. Her husband, a doctor, takes her to an old home to vacation and get well. She is suffering from depression after giving birth, but back in those days, this was an unknown and undiagnosed disease. Her hubby decides she needs rest and relaxation and insists she stay in an upper floor room, the one with the yellow wallpaper. Sadly, the days and weeks of being isolated lead this poor woman down a path that has no return. Her journey into madness is so wonderfully detailed you can feel her mind slip-slidin' away. What an awesome and shocking read. Yet, Gilman handles this poor woman's sorry fate with such wit, humor, and insight. To quote -- "John is a physician, and perhaps -- (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind --) perhaps that is one reason I do not get well fast. You see, he does not believe I am sick!" To sum up, the poor woman 'sees' things in the wallpaper and keeps a journal of her days/nights. What an enticing read. Very haunting.Another favorite was TURNED. A married couple have a lovely young girl as a maid. After the husband seduces her and gets her with child, he goes away on a business trip. The young maid and the missus are left alone to work things out. The way things work out for the two women -- left alone to clean up the mess -- is quite the surprise, shocking, and very, very well written. A twist of fate opens the eyes of the young wife and she is no fool, revenge could be the answer.Gilman writes beyond her time -- all of her writing was written and published in the late 1800's and early 1900's. Women were treated like children, received no respect, and were not considered equals to men. These stories are full of fun, wit, humor, surprises, and read easily and well. All of them revolve around the relationships between men and women and are fun and fantastic, yet disturbing both in content and truth.Charlotte Perkins Gilman was born in 1860 and died in 1935 at the age of 75. She committed suicide after learning she had incurable cancer. She was an advocate of euthanasia and killed herself with an overdose of chloroform.Gilman was a sociologist, novelist, author of short stories, poems, fiction and non-fiction. She was also a lecturer on social reform. Her aunt was Harriet Beecher Stowe.THE YELLOW WALLPAPER short story was written in two days but has been enjoyed by readers around the world for over 100 years. Gilman's writing technique has made this reader a fan and I will certainly read more of her work. She is a great user of the exclamation point !!! -- in fact, in YELLOW WALLPAPER that simple !!! after thoughts and sentences makes the reader aware of how quickly and surely our friend who sees things in that horrid wall covering is going insane.I highly recommend this small book of short stories -- they will stay with you for years to come.Thank you.Pam

8 of 8 people found the following review helpful. The Yellow Wallpaper- purely incredible By Katie B. What an incredibly twisted metaphor of a story! I remember being introduced to the piece in high school, but did not truly grasp it's beauty until I read it again in college. A masterpiece.

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Sabtu, 08 Juni 2013

Sorrow Song, by Patricia Crumpler

Sorrow Song, by Patricia Crumpler

This is it the book Sorrow Song, By Patricia Crumpler to be best seller lately. We provide you the best deal by getting the stunning book Sorrow Song, By Patricia Crumpler in this web site. This Sorrow Song, By Patricia Crumpler will not only be the type of book that is difficult to locate. In this internet site, all sorts of books are given. You can look title by title, writer by writer, as well as publisher by publisher to figure out the very best book Sorrow Song, By Patricia Crumpler that you can read currently.

Sorrow Song, by Patricia Crumpler

Sorrow Song, by Patricia Crumpler



Sorrow Song, by Patricia Crumpler

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Dana Blake is a top-notch attorney who succeeds at everything except love. Char-Mer is a fortune-teller who claims to know the cure for a broken heart. With her dignity gone and her self-confidence in ruins, Dana agrees to try Char-Mer’s outlandish remedy. A moonlit night on the beach in Sardinia can’t be a total loss… To Dana’s surprise, the cure is everything she hopes for. Except that it involves curses and mermaids. Why can’t she accept her new happiness? And why can’t she remember the best sex of her life?

Sorrow Song, by Patricia Crumpler

  • Amazon Sales Rank: #8656834 in Books
  • Published on: 2015-10-15
  • Original language: English
  • Dimensions: 6.00" h x .26" w x 4.00" l,
  • Binding: Paperback
  • 112 pages
Sorrow Song, by Patricia Crumpler

About the Author Patricia Crumpler grew up on the beaches of South Florida. She currently lives with her husband as well as a hound dog with too much personality.


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0 of 0 people found the following review helpful. Mystery and Imagination By JB Patricia Crumpler is an intriguing storyteller armed with mystery and imagination. "Sorrow Song" reads like a timeless fable. It is juxtaposed with elements of a classic tale and modern sensibilities. It has fun and surprising twists containing deeper meanings. I read it in one sitting; it wouldn't let me go. Crumpler gives us an exciting story with a rich and satisfying ending. I loved it and am still thinking about the novella. Read it.

0 of 0 people found the following review helpful. Loved this story! By Amazon Customer I haven't really read a book in a good while, and this one caught my attention, and kept it...I totally enjoyed the story, which was very entertaining, and will be looking for more stories like this.It reminded me of stories from my childhood, when we would sit with a storyteller. Such a wonderful memory!

0 of 0 people found the following review helpful. A Great Read! By Susan Kite Having read Patricia Crumpler's writing over the years, I made sure I had time this afternoon to read it all. I certainly was right to do so. This was a wonderful romp into fantasy and romance. Sorrow Song is a great novella and a must read. Bravo, Patricia! I am so glad to see your writing in this venue.

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A Red-Rose Chain (October Daye Series), by Seanan McGuire

A Red-Rose Chain (October Daye Series), by Seanan McGuire

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A Red-Rose Chain (October Daye Series), by Seanan McGuire

A Red-Rose Chain (October Daye Series), by Seanan McGuire



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Things are looking up.

For the first time in what feels like years, October “Toby” Daye has been able to pause long enough to take a breath and look at her life―and she likes what she sees. She has friends. She has allies. She has a squire to train and a King of Cats to love and maybe she can let her guard down for a change.

Or not. When Queen Windermere’s seneschal is elf-shot and thrown into an enchanted sleep by agents from the neighboring Kingdom of Silences, Toby finds herself in a role she never expected to play: that of diplomat. She must travel to Portland, Oregon, to convince King Rhys of Silences not to go to war against the Mists. But nothing is that simple, and what October finds in Silences is worse than she would ever have imagined.

How far will Toby go when lives are on the line, and when allies both old and new are threatened by a force she had never expected to face again? How much is October willing to give up, and how much is she willing to change? In Faerie, what’s past is never really gone.

It’s just waiting for an opportunity to pounce.

“Prepare to be dazzled.… Like the best of urban fantasy, with each reveal and mystery solved, Toby’s world grows ever more enticing. As seductive as Faerie itself, this is one series I could never give up.” ―All Things Urban Fantasy

A Red-Rose Chain (October Daye Series), by Seanan McGuire

  • Amazon Sales Rank: #1217356 in Books
  • Published on: 2015-10-13
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 13 Hours
  • Binding: MP3 CD
A Red-Rose Chain (October Daye Series), by Seanan McGuire

Review McGuire has never lacked for courage in her writing... Thephenomenally inventive October Daye series showcases her narrative daring and ingenuity beautifully. RT Reviews These books are like watching half a season of your favorite television series all at once... More than anything else, it's the fun of it all that's kept me returning to McGuire's books and to this series SF Signal

About the Author Seanan McGuire is a California-based author with a strong penchant for travel and can regularly be found just about any place capable of supporting human life (as well as a few places that probably aren't). The October Daye novels are her first urban fantasy series, and the InCryptid novels are her second series, both have put her in the New York Times bestseller list. Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer. She also writes under the name Mira Grant. She is the first person to be nominated for five Hugo Awards in a single year. You can visit her at www.seananmcguire.com.

Excerpt. © Reprinted by permission. All rights reserved.

Praise for the October Daye Novels

“Rosemary and Rue will surely appeal to readers who enjoy my books, or those of Patricia Briggs.”

—Charlaine Harris, #1 New York Times bestselling author

“McGuire has never lacked for courage in her writing, and this eighth entry in the phenomenally inventive October Daye series showcases her narrative daring and ingenuity beautifully. By forcing Toby to question her own identity and loyalties, McGuire highlights what a truly strong character Toby has always been, and what a remarkable heroine she has become.”

—RT Book Reviews

“The plot is strong, the characterization is terrific, the tragedies hurt . . . and McGuire’s usual beautiful writing and dark humor are present and accounted for. This has become one of my favorite urban fantasy series, and I can’t wait to find out what happens next.”

—FantasyLiterature.com

“An urban fantasy detective series featuring a resourceful female detective . . . [October Daye] should appeal to fans of Jim Butcher’s Dresden Files as well as the novels of Charlaine Harris, Patricia Briggs, and similar authors.”

—Library Journal

“It’s fun watching [Toby] stick doggedly to the case as the killer picks off more victims and the tension mounts.”

—LOCUS

“With Ashes of Honor, McGuire has crafted a deeply personal and intense story that will keep you on the edge, hoping to be pushed over. In my opinion, it is, hands down, the best Toby to date.”

—The Ranting Dragon

“These books are like watching half a season of your favorite television series all at once. . . . More than anything else, it’s the fun of it all that’s kept me returning to McGuire’s books, and to this series, long after I’ve stopped reading other mainstream titles.”

—SF Signal

“I love that Toby is a strong, independent—yet still vulnerable—heroine. I love that this is a world where people die, where consequences matter. I love the complex world-building and mythology. I love the almost film noir tone of the series. I love that each book leaves me wanting more. If you dig urban fantasy, this is one of the best out there.”

—CC2K

DAW Books presents the finest in urban fantasy from Seanan McGuire:

InCryptid Novels:

DISCOUNT ARMAGEDDON

MIDNIGHT BLUE-LIGHT SPECIAL

HALF-OFF RAGNAROK

POCKET APOCALYPSE

CHAOS CHOREOGRAPHY*

SPARROW HILL ROAD

October Daye Novels:

ROSEMARY AND RUE

A LOCAL HABITATION

AN ARTIFICIAL NIGHT

LATE ECLIPSES

ONE SALT SEA

ASHES OF HONOR

CHIMES AT MIDNIGHT

THE WINTER LONG

A RED-ROSE CHAIN

*Coming soon from DAW Books.

Copyright © 2015 by Seanan McGuire.

All Rights Reserved.

Cover art by Chris McGrath.

Cover design by G-Force Design.

Interior dingbat created by Tara O’Shea.

DAW Book Collectors No. 1706.

Published by DAW Books, Inc.

375 Hudson Street, New York, NY 10014

All characters and events in this book are fictitious.

Any resemblance to persons living or dead is strictly coincidental.

The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

Nearly all the designs and trade names in this book are registered trademarks. All that are still in commercial use are protected by United States and international trademark law.

ISBN 978-1-101-60178-5

DAW TRADEMARK REGISTEREDU.S. PAT. AND TM. OFF. AND FOREIGN COUNTRIES—MARCA REGISTRADAHECHO EN U.S.A.

For Brooke.

I am so lucky to have you in my life.

ACKNOWLEDGMENTS:

Every new Toby book is an adventure for me as a writer just as much as it (hopefully) is for you as a reader. A Red-Rose Chain was a surprise from start to finish, and that’s the best kind of book for me, as a writer. I learned things that excited me, and I’m so glad that you’re still here.

As always, there are people who need to be thanked. Thanks to the Machete Squad, for tireless support and editorial assistance, and to the entire team at DAW, without whose faith in me this book would not exist. Thanks to Talis, Teddy, and Amal, for hosting me at various spots around the United Kingdom while I finished this book, and to my entire Parisian crew, for not drowning me in the hot tub located in the basement of our Murder Palace.

Thank you Vixy, for continuing to put up with me; Amy, for continuing to love me; and Shawn, for clicking on all those axolotl pictures I send you. Thanks to Patty, for understanding that sometimes I am just going to become God’s problem, and to Robert and Rachel for emergency staffing duties.

Sheila Gilbert remains the best of all possible editors, Diana Fox remains the best of all possible agents, and Chris McGrath remains the best of all possible cover artists. While we’re on this track, my cats are the best of all possible cats. So are yours, if you have them. All hail the pit crew: Christopher Mangum, Tara O’Shea, and Kate Secor.

My soundtrack while writing A Red-Rose Chain consisted mostly of Songs About Teeth, by Cake Bake Betty, Caffeine & Big Dreams, by Kira Isabella, the soundtrack of Ghost Brothers of Darkland County, endless live concert recordings of the Counting Crows, and a really awesome playlist made for me by Amal. Any errors in this book are entirely my own. The errors that aren’t here are the ones that all these people helped me fix.

Welcome back.

OCTOBER DAYE PRONUNCIATION GUIDE

THROUGH A RED-ROSE CHAIN

All pronunciations are given strictly phonetically. This only covers races explicitly named in the first nine books, omitting Undersea races not appearing or mentioned in book nine.

Afanc: ah-fank. Plural is “Afanc.”

Annwn: ah-noon. No plural exists.

Bannick: ban-nick. Plural is “Bannicks.”

Barghest: bar-guy-st. Plural is “Barghests.”

Blodynbryd: blow-din-brid. Plural is “Blodynbryds.”

Cait Sidhe: kay-th shee. Plural is “Cait Sidhe.”

Candela: can-dee-la. Plural is “Candela.”

Coblynau: cob-lee-now. Plural is “Coblynau.”

Cu Sidhe: coo shee. Plural is “Cu Sidhe.”

Daoine Sidhe: doon-ya shee. Plural is “Daoine Sidhe,” diminutive is “Daoine.”

Djinn: jin. Plural is “Djinn.”

Dóchas Sidhe: doe-sh-as shee. Plural is “Dóchas Sidhe.”

Ellyllon: el-lee-lawn. Plural is “Ellyllons.”

Gean-Cannah: gee-ann can-na. Plural is “Gean-Cannah.”

Glastig: glass-tig. Plural is “Glastigs.”

Gwragen: guh-war-a-gen. Plural is “Gwragen.”

Hamadryad: ha-ma-dry-add. Plural is “Hamadryads.”

Hippocampus: hip-po-cam-pus. Plural is “Hippocampi.”

Kelpie: kel-pee. Plural is “Kelpies.”

Kitsune: kit-soo-nay. Plural is “Kitsune.”

Lamia: lay-me-a. Plural is “Lamia.”

The Luidaeg: the lou-sha-k. No plural exists.

Manticore: man-tee-core. Plural is “Manticores.”

Mauthe Doog: mwa-th doo-g. Plural is “Mauthe Doog.”

Naiad: nigh-add. Plural is “Naiads.”

Nixie: nix-ee. Plural is “Nixen.”

Peri: pear-ee. Plural is “Peri.”

Piskie: piss-key. Plural is “Piskies.”

Puca: puh-ca. Plural is “Pucas.”

Roane: row-n. Plural is “Roane.”

Satyr: say-tur. Plural is “Satyrs.”

Selkie: sell-key. Plural is “Selkies.”

Shyi Shuai: shh-yee shh-why. Plural is “Shyi Shuai.”

Silene: sigh-lean. Plural is “Silene.”

Tuatha de Dannan: tootha day danan. Plural is “Tuatha de Dannan,” diminutive is “Tuatha.”

Tylwyth Teg: till-with teeg. Plural is “Tylwyth Teg,” diminutive is “Tylwyth.”

Urisk: you-risk. Plural is “Urisk.”

ONE

March 11th, 2013

Thus he that overruled I oversway’d,

Leading him prisoner in a red-rose chain:

Strong-tempered steel his stronger strength obey’d,

Yet was he servile to my coy disdain.

—William Shakespeare, Venus and Adonis.

“SO HOW LONG ARE you and the kitty-cat plannin’ on doing this whole ‘engagement’ thing?” Danny punctuated his words with a sweep of one heavy hand. The motion neatly swatted the enormous black dog that had been leaping for my head out of the air, sending it crashing to the ground. It yelped. Danny pointed at it, saying sternly, “Stay down, ya big mutt!”

“Could we focus on the Mauthe Doog for right now, and talk about my engagement later?” I asked, as I swung my sword at another of the shaggy canines. It dodged easily. They all had. I wasn’t as good with a blade as Danny was with his hands, and in the end, I was just too slow. “I don’t want to be torn to shreds because you’re planning floral arrangements!”

I would normally have felt bad about attacking dogs with swords. I like dogs. Most dogs aren’t feral teleporters the size of small ponies. Human animal rights groups have very different problems than fae ones. For one thing, most human animal rights groups don’t have to worry as much about being eaten.

“I’m just sayin’, maybe you need to start talking about dates.” Danny grabbed another dog by the tail, scolding, “No. Bad. We don’t eat people.”

The dog snarled and snapped at him, not quite managing to twist around enough to sink its teeth into his arm. That was a pity. Danny’s a Bridge Troll, with the solid, concrete-like skin to prove it. If the dog had tried to take a bite out of him, it would have probably broken several teeth, and made itself a lot less dangerous to me.

With most people, it’s unfair for me to expect them to play shield. I heal faster than anyone else I’ve ever met, to the point where if I watch closely I can actually see my skin knitting back together—and trust me, that’s even more unnerving than it sounds. Danny is one of the few exceptions to this rule. He’s huge, imposing, and virtually indestructible. He heals slower than I do, but that doesn’t matter, because there’s almost nothing that can actually injure him. All of this makes him uniquely well-suited to being my partner when I have to do something ridiculously dangerous—like, say, clearing out a pack of Mauthe Doog that should never have been roving the salt flats of Marin.

Not that we were out there alone. My squire, Quentin Sollys, and my boyfriend-slash-fiancé, Tybalt, were about fifty yards away, dealing with their own contingent of black dogs. Quentin had his sword, and was handling his share of the problem with a grace and finesse that I will probably never possess, even if I live to be a thousand—although he hadn’t managed to land a hit, either. The dogs were just too fast for something as clumsy as a sword. Tybalt was having better luck. He had shifted far enough into his feline mien that his hands had become heavy with claws and his mouth bristled with teeth, and he was taking out his share of the Mauthe Doog in the classic cat-meets-dog fashion. I could hear his feral snarls, and the dogs’ pained yelps, all the way down the beach.

Mauthe Doog are native to a few small islands in Avalon, one of the deeper realms of Faerie. All the deeper realms were sealed by Oberon centuries ago, as part of the process of locking up the house and hiding the valuables before he went on an extended vacation, leaving his descendants to fend for ourselves. Most of the really dangerous monsters fell under the “valuables” category, and were shut off from the rest of us, leaving our asses unchewed and our pets uneaten. Unfortunately, there’d been an incident about nine months ago involving an uncontrolled, overpowered teleporter named Chelsea Ames. Chelsea was strong enough to rip holes in those closed walls between the realms, leading to leakage from all the deep, dark places into the Summerlands, the last accessible Faerie country. Which also happened to be the one closest to the mortal world. Which meant that once something was there, it could easily wind up here.

We’d managed to stop Chelsea before she could completely destabilize Faerie, leading to the loss of the Summerlands, or worse. That didn’t do anything to stuff whatever had already managed to come through back into the places where it belonged. Sylvester, my currently semi-estranged liege lord, wound up adopting an Afanc, a docile lake creature big enough to squash cars. The local pixie tribes swelled by a factor of five, and promptly began battling each other for territory, shrieking in hypersonic voices and stabbing each other with tiny poisoned spears. And those of us unlucky enough to be on-call as knights errant or heroes of the realm got to spend a lot of time playing mediator between the warring swarms.

Guess what I do for a living. Lucky me.

“Toby, watch your back!”

Danny’s shout caused me to whip around, sword raised defensively. The leaping Mauthe Doog rebounded off the blade with a yelp, leaving a smear of red-black blood behind. The fae dog retreated a few steps, alternately whining and growling. I stared in surprise at the blood on the blade. It smelled like hot copper and distant fens, a rich, boggy smell that was as familiar as it was foreign.

They had been moving too fast before for me to draw blood. Danny had been doing a lot of damage, but it had all been blunt force trauma. Not much blood in that sort of fight.

“Danny, cover me,” I said, and brought the sword to my mouth.

“You’re not gonna—aw, shit, you are. That’s gross,” grumbled the Bridge Troll, and moved to shield me from the remaining dogs as I licked the blood from the side of my sword.

Faerie is a funny place. There are hundreds of different types of fae, all descended from the First Three: Oberon, Maeve, and Titania. We can look different enough from one another that it’s impossible to believe we could be related, much less share the same origin, but it’s true. And all of us have our own special talents to help us survive. Some are shapeshifters, like Tybalt. Others are built to last, like Danny. The rest of us have to depend on subtler magic. Like blood.

My kind of fae, the Dóchas Sidhe, are the best blood-workers of all. The fact that I’m a changeling—part human, part fae, although the fae part of me is getting stronger all the time, at the inevitable expense of my humanity—has never been enough to keep me from accessing the magic my lineage is heir to, even when I would have been better off leaving that magic alone. The fact that I hate the sight of blood is neither here nor there. If anything, it’s proof that the universe has a sense of humor.

The Mauthe Doog’s blood was tart and faintly bitter, like it had been tainted by some unknown substance. I closed my eyes as I swallowed, trying to find something—anything—that would tell me what the dogs wanted, or how to make them stop attacking joggers and eating people’s housecats. Instead, I found my own face, distorted by the Mauthe Doog’s fear until it became the visage of a monster. Danny loomed behind me in the red blood haze of memory, a walking mountain that dealt out death with every blow.

“They’re terrified,” I said distantly, only barely aware that my lips were moving. I swallowed hard, trying to chase away the shreds of blood memory. A faint headache was growing in my temples, warning me that I was pushing the limits of my powers again. Blood magic is hard on a body—harder, it seems, than regenerating most of my skin, or repeatedly healing broken bones. Louder, I repeated, “They’re terrified!”

“What?” The low rumble of Danny’s voice pulled me all the way back into the present. I opened my eyes and dropped my sword in the same motion.

The sound of the blade hitting the ground seemed louder than it was. Even Tybalt stopped his snarling, head whipping around as he stared in my direction. His ears were better than mine under the best of circumstances, and in his partially-transformed state, his hearing would be especially sharp. That was a good thing. I didn’t want to yell.

“They’re scared,” I said, lowering myself to a crouch. The three Mauthe Doog who were in any shape to fight watched me warily, but didn’t attack. I think they were just relieved that I wasn’t holding a sword anymore. “We’ve been acting like they were animals because they’re not shapeshifters, and that was sort of right: they are animals. They’re monsters. The Law doesn’t protect them, because they can’t claim its protection. But they’re not dumb animals, and they’re not attacking people out of malice. They’re doing it because they’re scared out of their minds.”

“What do you mean?” rumbled Danny.

“Imagine going from one of the deep realms—a place where there’s never been an Industrial Revolution, no people, no pollution, no cars—to modern-day Marin in the blink of an eye, just because you were standing in the wrong place at the wrong time.” I extended my hand toward the nearest Mauthe Doog, fighting not to let my nervousness show. I could probably grow back any fingers the big dog decided to bite off. Probably. I’d never actually experimented with regenerating limbs before, and this would be a lousy way to find out where the limits of my healing powers were.

“So you’re sayin’ that these are somebody’s pets?” Danny actually sounded halfway excited now. He had a big heart to go with his big body—and given that he was almost eight feet tall, that meant he had a lot of heart. He also ran the only Barghest Rescue Society in existence. He was supposedly trying to find homes for all his semi-canine, scorpion-tailed monstrosities, but since most Bridge Trolls didn’t live in houses with backyards and everyone who isn’t a Bridge Troll has issues with venomous pets, he hadn’t managed to adopt one out in the whole time that he’d been keeping them. I wasn’t sure he really wanted to anymore.

“I’m saying they used to be, a long time ago, before we went away and left them all alone.” Sometimes I questioned Oberon’s wisdom in sealing the deeper realms. Yeah, he kept the kids away from the guns and liquor, proverbially speaking, but he’d also kept them away from their quiet spaces and favorite toys. More, he’d locked them out while locking their companion animals in. Even fae creatures can live forever, under the right circumstances. How long could an abandoned fae dog wait for its master before it decided to turn loneliness into rage?

I turned my attention to the injured Mauthe Doog. “Hi,” I said, as gently as I could. “I’m sorry we hurt you. You scared us.”

Danny snorted. “They did more’n scare us.”

“Danny, hush,” I hissed—but he was right. Queen Arden Windermere in the Mists had asked me to gather my friends and take care of the Mauthe Doog problem in Marin after the third mortal jogger had come staggering back to his car raving about disappearing dogs with teeth like daggers. The fact that he’d been lucky to encounter the Mauthe Doog instead of something nastier—they’re not the only breed of fae dog, and some of their cousins are venomous—probably didn’t occur to him. He’d been so focused on convincing people that he wasn’t crazy that he’d actually managed to stammer his story to a local newscaster before he was whisked off to a hospital. Arden had called me immediately. I was a hero of the realm, after all, which made this my problem, whether I wanted it to be or not.

I had turned around and called for backup. Which is maybe not a very heroic thing to do, but is definitely the sensible thing to do, and if there’s one thing my friends and allies have been pounding into my head for the last four years, it’s the need for support when I’m going into a dangerous situation. Some people call it personal growth. I call it the slowly dawning understanding that I enjoy being alive, and that it’s easier to stay that way when I have people to help me.

The Mauthe Doog was still watching me warily, its ears pressed down flat against its head. All of them were about the size of healthy Rottweilers, but with thick, shaggy black coats that would have looked more at home on a Muppet. The other two had fallen back farther, whining in confusion. At least they weren’t attacking us anymore.

“Tybalt, I know you can hear me, since you’re all kitty-kitty right now,” I said, raising my voice only slightly. I didn’t want to scare the Mauthe Doog again if I could help it. “I want you to start falling back toward me. Bring Quentin along. Defend yourselves if you have to, but stop attacking. Don’t make any aggressive moves.” I paused before adding, “Trust me.”

It was probably a good thing I couldn’t hear whatever Tybalt said in response to my instructions, since it was almost certainly profane and laced with comments about my intelligence, or lack thereof. Tybalt’s been just about everything I could ask for in a lover, which is why I agreed to marry him when he asked, but he doesn’t like my habit of charging headlong into danger when there are people he likes less who could be doing it in my place. It’s hard to argue with that sort of logic.

The Mauthe Doog slunk closer to my outstretched hand, its head hanging low and its ears slanted forward. I didn’t know enough about dogs to know whether that was a good sign.

Dogs. That was it. Tybalt was a King of Cats, which was all well and good, but wasn’t going to help calm a bunch of fae dogs. Luckily, Tybalt wasn’t our only option. “Do you remember the Cu Sidhe?” I asked the Mauthe Doog. Its ears seemed to prick up a bit. I decided to take that as a good sign, and kept talking. “They’re here, with us. You’re on Earth now, on the other side of the Summerlands. That’s why things are so strange here. But we can help you get back to the Summerlands, to the Cu Sidhe. You don’t have to be alone anymore.”

What we couldn’t do was help them get back to Avalon. Those doors were sealed, and had been since we stopped Chelsea from her panicked flight through Faerie. She couldn’t teleport at all right now, thanks to an alchemical potion that had blocked her powers, and was going to keep blocking them until a year had passed. When it wore off—and it would wear off soon; she only had about three months to go—she would have a normal Tuatha de Dannan’s limitations. No more shredding the fabric of Faerie for Chelsea, and no way home for the Mauthe Doog.

The Mauthe Doog closest to me whined. I heard footsteps approaching from behind me. Experience told me that they belonged to Quentin, not Tybalt—my squire might have the grace and elegance of a pureblooded Daoine Sidhe, but Cait Sidhe are in a league of their own when it comes to sneaking up on people. The day Tybalt did something as common as stomp would be the day he turned in his proverbial whiskers.

“These are my friends,” I said, gesturing toward the sound of footsteps and hoping that the gesture would encompass all three of the guys. “We’re all sorry we fought with you. We didn’t know.”

“I’m not sorry,” said Quentin. “One of them tried to take my throat away from me. With its teeth. I’m not you. I need my throat.”

“Whine about missing body parts later, talk nicely to the poor confused doggies now,” I said, keeping my eyes on the Mauthe Doog. “This is one of those moments when I could really use Etienne’s powers back in working order. Danny, call Muir Woods. Tell Arden we need a door from here to there, and tell her that Madden needs to be waiting on the other side.”

“I think attacking the Queen with a bunch of monster dogs is treason, Toby,” said Quentin, starting to sound concerned.

“Good for me, I haven’t committed treason against this monarch yet. I’m trying to complete the set. Danny?”

“On it,” rumbled the Bridge Troll, and moved away, his steps thudding against the ground like tiny boulders falling.

I stayed where I was, keeping my hand stretched out toward the dogs and making quiet, soothing noises. More Mauthe Doog slunk around us to join the three I’d started with, forming a pack of wary canines. There were seven of them, all told; I didn’t know how many we’d killed, or how many of them had teleported away and were now making their way back to check on their pack mates. I’ve never really been much of a dog person.

The smell of blackberry flowers and redwood bark drifted over me, out of place this close to the water. I twisted to look over my shoulder. Arden was standing behind me and not behind me at the same time, since there was no rational way of folding geography that put Muir Woods “behind” the Marin salt flats. A glimmering circle in the air marked the division between her location and ours.

“What in the world—” she began.

I cut her off. “Is Madden there?” It’s good to be on speaking terms with the Queen: it makes rudeness a little easier to forgive. But only a little. I had to be careful not to push it.

Arden frowned, apparently not used to people interrupting her anymore. I was definitely pushing it. All she said was, “Yes, he’s here. Madden?”

“Coming!” The voice was followed by a large, shaggy man in jeans and a black T-shirt with the Borderlands Café logo on the front appearing in the frame of Arden’s portal. He would have looked completely out of place next to Arden, with her perfectly groomed hair and the dress that could have been lifted straight from the Italian Renaissance, if not for the red streaks in his otherwise snow-white hair and the wolfish gold of his eyes. Madden looked mostly human, but the parts of him that weren’t human were pure canine. “Hi, Toby! Hi, Toby’s friends!”

“Hi, Madden,” I said. “Can you step through for a second? I have some folks here who really want to meet you.”

“All right,” said Madden amiably, and bounced through the portal. Then he stopped, staring at the Mauthe Doog with open-faced delight. “Hey! Cousins!”

The Mauthe Doog perked up instantly, their ears going straight and their shaggy black tails beginning to wag. I straightened up and stepped back as Madden stepped forward. That seemed to be their cue: the Mauthe Doog who weren’t too injured to jump began jumping all over him, dancing up onto their hind legs to make it easier. Those who were too injured pressed themselves against his calves and ankles, sighing heavily, the tension going out of their bodies.

I turned to the portal. “They’re not monsters, Your Highness; they were attacking people because they were scared and confused. But they come from the same realm as the Cu Sidhe, so once I realized they weren’t actually hostile, I figured Madden was the answer.”

“You didn’t tell me they were Mauthe Doog, Arden,” said Madden, sounding hurt. I glanced back to find him standing behind me, one of the injured canines cradled in his arms. It had its neck bent at an improbable angle, and was calmly licking the underside of his chin. “I would’ve said they were good dogs, if you’d told me.”

“I didn’t know,” said Arden. “All the reports we had said ‘shaggy black canines,’ but they weren’t specific enough to let us figure out what kind of fae dog we were dealing with.”

“They’re good dogs,” said Madden. He turned to me. “They’ll come with me now. If that’s okay with you. I can call my brothers and sisters, and they’ll come to Muir Woods to get the Mauthe Doog that were here and take them back to the house before we come back and start looking for the rest. Any that are missing, we’ll find, once the pack trusts us.”

Cu Sidhe like to live in large family groups, almost like packs, but without the social posturing and structure that humans have tried to assign to the word. They just want to be with other dogs. I could understand that. It’s nice to be around people who understand you. “Sure, Madden,” I said. “Do you need us to help you carry them?”

“There’s only two who don’t feel like they can walk so good, and I can get them,” he said. “Arden, can you hold the door?”

“For you, the world,” she said, with a faint smile. Arden and Madden had been friends since long before she had come back to Faerie and allowed herself to become a Queen. Their relationship wasn’t romantic, and that was probably a good thing; she needed a friend more than she needed a lover. I knew what that was like. “Sir Daye, I’m going to need you and your people to come by the knowe to give me a full report. Shall I see you tonight?”

“As soon as we finish cleaning up here,” I said. None of us had physical magic, but we could kick away the footprints in the sand and bury the blood, making it look like the salt flats had been invaded by a bunch of kids playing soccer or something, not a group of heavily armed fae having a pitched battle with supernatural dogs. That, too, was part of my job. The human world and Faerie were separate for a reason, and I had to help hold that line.

“Can I come visit the doggies?” asked Danny, looking at Madden.

Madden smiled. “We will welcome you,” he said. He stooped to lift the second badly injured Mauthe Doog onto his shoulder, and then he stepped through the portal. The rest of the black dogs flowed through at his feet, vanishing from the salt flats and reappearing in the shadows of Muir Woods. Arden looked briefly nonplussed. Then the last dog was through, and she lowered her hand, closing the portal.

Danny, Quentin, Tybalt, and I stood alone on the sand in silence for a few moments. Two dead Mauthe Doog lay further down the beach, their necks broken, the blood running from their open mouths tinting the ground where they had fallen. The night-haunts would come for their bodies soon enough; we just needed to take care of the tracks.

Quentin spoke first. “So this was fun.”

“Yeah,” I said.

“We should do this every week,” he said.

“I will drown you in the ocean and send your parents a very nice card to tell them how sorry I am,” I said.

“Be sure you include a gift card for Tim Hortons,” he said. “That’s how we say ‘sorry for killing your firstborn son’ in Canada.”

I laughed. So did Quentin. Tybalt just snorted, while Danny looked confused. All in all, it was a pretty normal night for us, and the fact that we had to clean up our own mess just continued the theme.

“All right, boys, let’s kick some sand around before we go to visit the Queen,” I said, and sheathed my sword. A hero’s work was never done.

TWO

FAE TEND TO BE nocturnal by nature. That’s probably the only thing that’s really protecting us from being discovered—or rather, rediscovered—by humanity. We used to show ourselves a lot more, which explains all those fairy tales and folk stories and popular ballads about the merry, merry greenwood ho. We also used to steal livestock and “borrow” human women to raise our children. And we used to find ourselves burnt and stabbed and killed with iron on a regular basis, because while our worlds may have been meant to coexist, they were never intended to do it peacefully.

So yes, not being chased by angry mobs is a benefit of the nocturnal lifestyle. The other nice thing about it is the people, or rather, the lack thereof. We didn’t bother spinning human disguises for ourselves before we got in the car: there was no one around to see us. The normally ninety-minute drive from Marin to Muir Woods only took about an hour. Quentin spent the whole time complaining about the fact that I wouldn’t let him change the radio, while Tybalt spent it staring through the windshield, fingers clenched white-knuckled against the dash. It should probably have been reassuring that there was something that scared him, apart from my tendency to rush headlong into certain doom. Instead, Tybalt’s reaction to cars just reminded me of how much older he was than me, and left me feeling uneasy and off-balance.

Danny had left us in the parking lot in Marin where I’d stowed my car and he’d stowed his cab. “It’s not that I don’t like the new Queen an’ all, but every time I go with you to visit royalty, somebody winds up dead or exiled or whatever,” he’d said, with disturbingly accurate logic. “I figure if I just go on home, you won’t have to worry about it.”

“I’ll call you later,” I’d promised, and endured his clumsily patting me on the shoulder before he turned and lumbered back to his cab. Bridge Trolls can’t be physically demonstrative with most denizens of Faerie. There’s too much of a chance that they’ll accidentally break us.

There were no cars visible in the parking lot at Muir Woods when we arrived. There could have been anything from junkers to horse-drawn carriages hidden under illusions and complicated don’t-look-here spells, but since most of those also come with mild aversions and “please don’t park on top of me” suggestions, I didn’t worry overly much as I steered my car into a parking space and killed the engine.

“All right, everybody out,” I said.

Tybalt didn’t have to be told twice. He practically kicked his door open, retreating to the edge of the parking lot while he waited for me and Quentin to follow him. Quentin snickered, but there was no malice in the sound. He was just amused, and he knew he was safe enough that he could get away with expressing it. It felt good to know he was that relaxed. Not many Crown Princes get to grow up feeling like they’re allowed to be happy. Not in Faerie, anyway.

The thought reminded me of something. I glanced at Quentin as we got out of the car and walked toward Tybalt. “Hey,” I said. “Don’t you have a birthday coming up?”

“I’ll be eighteen on Lughnasa,” he said.

“Is there anything you wanted to do for your birthday this year? Eighteen’s a pretty big deal. We could have a party. May loves parties.”

“Eighteen’s a big deal for humans, maybe,” said Quentin. He grinned, the light from the lamps around the parking lot throwing gold highlights off his dark bronze hair. He’d looked like a dandelion when we first met, all pale yellow fluff with no real substance. Now he was taller than I was, and finally starting to fill out. It was unnerving. My squire wasn’t supposed to grow up. “Ask me again when I come of age.”

“So we hold off on the grand bacchanal until you turn thirty. Got it.” I looked back to Tybalt, allowing my face to relax into a wide, only slightly mocking smile. “You know, you’re going to have to get used to riding in cars eventually. I’m never going to learn how to teleport, and that means I’m going to keep driving everywhere.”

“Must you taunt me so cruelly?” Tybalt asked.

“Yes, I must,” I said, and offered him my hand. He took it, tucking it gently into the crook of his arm. It was an old-fashioned way to walk, but it made him happy, and I was all in favor of things that made Tybalt happy. He shook his head, still feigning offense at my comments about the car, and started walking toward the woods. Quentin followed close behind us, for once not ranging wildly ahead. Fighting a bunch of disoriented fae dogs and cleaning up the signs of the struggle had tired him out, at least for the moment. Knowing Quentin, he would bounce back soon. In the meantime, I got to keep everyone where I could see them.

The trees loomed around us like sentinels, filled with dancing lights as pixies soared from tree to tree and Will o’ Wisps danced above the water. I wondered idly what the human rangers who ostensibly controlled the park thought of the changes that had occurred over the course of the past seven months. Knowes—better known as “hollow hills” in the human world, which has had a long time to forget the proper names for fae things—have a tendency to weaken the walls between the Summerlands and the mortal worlds when they stand open. Not to the point where monsters can slip easily through, but in more of a “pixies in the backyard, strange whispers in the water, Dryads in the trees” sort of way. Fae communities grow up around them, because we know we’re safe there. We can always run for the Summerlands if things turn sour.

Up until seven months ago, no one knew that there was still a knowe in Muir Woods. I’d known that there had been a knowe there, once upon a time, but I had assumed it was one of the lost ones, so old and so weakened that it had become nothing more than a shallow scrape in the space between worlds. It turned out the knowe was perfectly healthy and structurally sound. It was just waiting for its actual owner to come back and give it permission to open. Enter Arden Windermere, daughter of Gilad Windermere, rightful Queen in the Mists. She had been in hiding since before I was born, choosing safety and obscurity over the dangers inherent in taking the throne.

We would never have found her if the woman who’d been holding the throne of the Mists hadn’t been a psycho bitch who decided to banish me from the Kingdom for the crime of asking her to stop selling drugs that killed changelings. That didn’t sit well with me, or with my allies, and we’d ended up asking some pointed questions about how a woman with no Tuatha blood could be the rightful heir of a Tuatha de Dannan king. One thing led to another, and we’d managed to find Arden, talked her into retaking her Kingdom, and brought her back to the knowe that had been patiently waiting for more than a century for her to come home.

We walked down the carefully-maintained paths through the flat part of the park, across streams and over tiny ponds that still made my skin crawl if I looked at them too closely—I don’t like water much, and I don’t like pools of standing water at all—and began to climb the hiking trail that wound its slow way up the side of the hill. Tybalt let go of my arm as the path narrowed, taking up a position directly behind me. He’d learned the hard way that if he let me out of his sight when we were checking in with the nobility, I’d probably find a way to dump myself in a mud puddle, cover myself in blood, or otherwise render myself completely unpresentable. To be fair, I never did it on purpose. It was just a talent of mine.

The path leveled off, and we stepped into the small clearing that preceded the entry to Arden’s knowe. The doors in the big redwood that served as the knowe’s tie to the mortal world stood open, like they were welcoming us home. Many knowes require complicated rituals or motions to get in. Not this one. This was the royal seat of the Mists, and its doors were never closed to the people of the Kingdom. The pixies clustered in the trees here so thickly that they illuminated the area like so many pastel Christmas lights. Guards in Arden’s livery stood to either side of the doors. I waved. One of them—a diminutive Glastig with hair the color of walnut shells—waved back.

“Evening, October. Quentin. Your Highness.” She bobbed her head to Tybalt, which was as close as any member of the Divided Courts would come to bowing to a Cait Sidhe. The fact that she called him by his title at all said a great deal about relations between Arden’s Court and the Court of Cats. “The Queen’s expecting you, and said that we were to send you right on in when you arrived.”

“Evening, Lowri,” I said, with a quick smile. It was safe for Arden’s guards to stand outside like this: given the strength of the illusions hiding the knowe, they were probably rendered invisible to searching eyes just through proximity. “Where did Madden go with the Mauthe Doog?”

“You mean the big black dogs that pop in and out of view like bad special effects?” asked Lowri, her faint Welsh accent making the question sound even more surreal than it probably should have. The other guard—a Coblynau I didn’t know by name—put a hand over his mouth, concealing a smile.

“Those are the ones,” I confirmed.

“He took them home to meet his siblings,” said Lowri. “Said some of them need proper medical care that’s based on dogs, not on people. He looked awfully sad about it, too, and said that if you asked, we were to tell you he didn’t blame you, since you didn’t know any better.”

I winced. There was something especially unsettling about being chastised, even secondhand, by someone who was essentially a dog. The Cu Sidhe liked to cultivate a simpler way of life, eschewing the complexities of fae politics and human manners. That doesn’t mean they’re rude or stupid: Madden couldn’t have been Arden’s seneschal if he wasn’t a smart guy. It just means they don’t hold grudges or go on vendettas, or host dinner parties that require knowing when to use multiple forks.

“We shall make it up to him later,” said Tybalt.

“Yes, we will,” I said. “Is Arden inside?”

Lowri wrinkled her nose at the informality, which was funny, considering that when we’d met, Lowri had been working in the private guard of the false Queen, who had called Arden things that were far worse than her actual name. “As she said to send you in, I believe that is a fair guess, yes.”

“Cool. See you in a bit.” I waved to the other guard and walked inside, with Quentin and Tybalt following.

Arden’s knowe was a redwood wonderland, perfectly suited to the woods outside. The floor and walls in the entry hall were all paneled in the stuff, and the smell of it suffused the air. Elaborate carved panels on the walls sketched out the history of the Kingdom of the Mists all the way up to the present day, and while new panels seemed to have been added every time we came to visit, none of the old panels seemed to have disappeared. I made a mental note to ask Arden whether the hall was getting longer, or whether it just somehow knew which panels it was safe to hide when I was looking. Either option seemed reasonable. The knowes are alive, and while they may not think like people do, they have opinions about things, and will generally do what they feel best.

The hallway let out on the throne room, where Arden was sitting on her throne, wearing the same purple-and-silver velvet gown that I’d seen through her teleport window, playing with her mobile phone. She looked up at the sound of our footsteps. Then she smiled and unfolded herself from her seat, standing. “Hey. Did you have any trouble getting here?”

“None,” I reported.

“Cool,” she said, and tossed her phone onto the cushion on her throne.

Arden Windermere might not sound much like a queen, but she certainly looked the part, especially these days, now that she had a proper staff of handmaids and clothiers to help her present the appropriate image to her people. She was tall, slim, and elegant in her carriage, standing a few inches taller than Tybalt, who was in turn a few inches taller than me. Her purple-black hair was pulled into a high chignon, secured with loops of amethyst, and her jewelry was all silver, accenting the vibrant colors of her mismatched eyes: one vivid blue, the other liquid mercury. She could easily have walked among the kings and queens of our past, as long as she kept her mouth closed. Not that I’m one to criticize the speech of others, but when Arden talked, it was more Haight Street than High Court.

Maybe that was a good thing. A lot of the problems faced by the fae nobility come from the collisions between our world and the human world. Arden had spent most of her life in the human world. While she wasn’t going to broker a lasting peace or anything, she at least understood what I and her other changeling vassals were talking about when we brought human problems to her attention.

Now that she was standing, it was time to observe the niceties. I curtsied, dipping as low as practice and training allowed. Quentin bowed with equal depth and solemnity. Tybalt inclined his head, but otherwise stayed upright. That wasn’t as disrespectful as it looked. As a King of Cats, he was technically Arden’s equal, and it would have been inappropriate for him to bow to her. He was already showing her a great honor by following the rules of her knowe, and not insisting that she treat him as visiting royalty.

Quentin was also visiting royalty, being the Crown Prince of the Westlands and all, but that wasn’t something we talked about much. Arden knew—High King Aethlin and High Queen Maida had been the ones who came and validated her claim to the throne of the Mists—but as Quentin was technically untitled while he was in fosterage, she didn’t let it affect her reactions to him. Quentin’s rank was secret from most of Faerie, and it needed to stay that way if he was going to stay safe.

“You may rise,” said Arden, sounding faintly bemused, like she still didn’t understand the point of all this bowing. At least she wasn’t trying to make us stop anymore. Centuries of training don’t die out that quickly.

“Lowri told us Madden took the Mauthe Doog home,” I said, as I straightened. “Will he be back tonight? I’d like to apologize for not realizing what was going on quicker.”

“He should be,” said Arden. “You did well tonight. The Mists appreciate your service.”

There are some pretty strong taboos in Faerie against saying the words “thank you,” which has made us all incredibly good at talking our way around our gratitude. “It was sort of fun, in a ‘big angry black dogs trying to kill us’ kind of way. I’m just sorry we didn’t figure out that they weren’t hostile sooner. We could have saved the rest of them. As it stands, I don’t know whether any managed to teleport away.”

“Madden will look for them,” said Arden. “How many died?”

“Two,” said Quentin. “It might be a good idea to tell Madden to go back over there before tomorrow night, to make sure none of them were wounded and went to ground. But I don’t think any of them were. They were all pretty dedicated to attacking us.”

“I listened for the sound of pups hidden in the high grass,” added Tybalt. “No such sounds came to me. I believe we found them all.”

“That’s good,” said Arden. “They were becoming a nuisance.”

“They just needed someone to tell them they weren’t alone,” I said. That wasn’t an uncommon situation, in Faerie. For every Court like Arden’s, which welcomed changelings and shapeshifters as well as the more “courtly” members of the fae, there were three Courts like the former Queen’s. She had run a very formal house. No changelings unless they were servants; no shapeshifters, because she didn’t allow animals around her nice things. The Mists had been losing good people since that woman took the throne, driven away by her insistence on a form of courtliness that had no bearing on the modern world. Arden was starting to get some of those people back, but it was going to take a long time before the Kingdom had fully recovered.

“They’re not alone now,” Arden said. “Madden and his family will take good care of them until we can figure out a permanent place—and Mauthe Doog used to be popular companions among the Tuatha de Dannan. I may be able to settle them here at my Court, depending on how well they remember their time with my people.”

“That would be excellent,” I said. Tybalt made a face. I laughed and elbowed him lightly in the side. “Don’t worry, I’m not going to get a puppy.”

“I should certainly hope not,” he said stiffly.

“Actually, while you’re both here, there was something I was hoping to talk to you about.”

Arden’s words were casual, but if there was one thing I’d learned in my years of dealing with the nobility, it was that nothing that included the phrase “I was hoping to talk to you” was ever as casual as it seemed. Tybalt and I exchanged a look. Quentin winced, looking wary.

She was my Queen. Tybalt belonged to a different political structure and Quentin was going to outrank her someday. Swallowing my sigh, I turned to face her, and said, “Yes, Your Highness?”

To my surprise, Arden groaned. “You know, sometimes being the Queen isn’t all it’s cracked up to be. I don’t want to give you an order or send you on a quest or make your lives harder, I swear. I just want to ask you a favor, and have you really think about it before you answer either way. I don’t want you to say ‘yes’ and hate me, and I don’t want you to say ‘no’ before you’ve heard me out. All right?”

“All right,” I said, more slowly. “What’s up?”

“I would like you to consider choosing Muir Woods as the site of your wedding,” said Arden.

I stared at her. Tybalt stared at her. Arden reddened.

“I know, I know, we need a better name for this place, but I feel silly saying ‘the Court of Windermere,’ which is what my father called it, and I can’t go the easy route and call it ‘Mists,’ because this whole Kingdom is the Mists and right, sorry. Babbling. I don’t do it often, but when I do, I can win valuable prizes.” Arden shook her head. “Look. October, you’re a hero of the realm. You mean something to people around here.”

“Yeah, I mean they’re about to get in trouble,” I said.

Arden ignored me. That was probably a good choice on her part. “And Tybalt, you’re a King of Cats. Do you know how long it’s been since a titled member of the Divided Courts has married into the Court of Cats? It’s incredibly unifying, and that makes it incredibly important. I know you were probably considering Shadowed Hills for the ceremony, but I’d like you to please give some serious thought to doing it here.”

Apparently taking our stunned silence for criticism, she put her hands up in what was probably meant to be a reassuring stance. “I promise you, we have the space—you haven’t seen the entire knowe. I haven’t seen the entire knowe. The more we clean it out, the more rooms we find. The staff here is superb, and they’re itching for more opportunities to prove themselves. The Yule Ball went off without a hitch, in part because my staff was so eager to show off how amazing they can be.”

“Yes, but that was a ball,” I said, choosing my words carefully. “We sort of have road maps for those things. Like, we know where to put the refreshment table, what kind of band to hire, and how many guests we’re expected to invite. Our wedding is a whole different can of worms.” And complicated as hell, for many of the reasons Arden had already mentioned. Tybalt being royalty meant we were at risk of having it turn into a state wedding, which could result in six hundred guests, a cake the size of a small car, and me spending what should have been the happiest day of my life hyperventilating in a closet. I don’t like big parties. The idea of being the center of one . . . thanks, but no thanks.

“I know,” said Arden. “I just want you to think about it, all right? Like I said, I know Shadowed Hills is your first choice, but I think you could be really happy here.”

“We will consider your most generous offer,” said Tybalt, before I could say anything I was going to regret. I shot him a grateful look. He inclined his chin, very slightly, and said nothing.

Shadowed Hills is the Duchy I’m sworn to serve, and my oaths are held by Duke Sylvester Torquill, who has been a part of my life for as long as I can remember. He was the one who gave me the Changeling’s Choice, back when I was seven years old and still standing balanced on the knife’s edge between the fae and mortal worlds. He was the first pureblood to take a chance on me, allowing me into his court and even making sure I got knighted when I earned it. For years, he was the closest thing I had to a father. I still loved him like one. I couldn’t stop.

Not even when it turned out he’d been lying to me the whole time, and that he’d been taking care of me in part because his brother had been married to my mother since before I was born, which technically made Simon my stepfather. Simon Torquill was also the man who’d kidnapped Sylvester’s wife and daughter, and turned me into a fish for fourteen years, effectively destroying my relationship with my own daughter. Why hadn’t Sylvester told me any of this?

Because he had promised my mother that he wouldn’t. He had put his promise to a woman who had all but abandoned me ahead of his relationship with me, and he wouldn’t—or couldn’t—give me a good reason why. I hadn’t spoken to Sylvester in three months. As far as I was aware, he still didn’t know Tybalt and I were engaged, and I was happy to keep it that way.

I don’t trust easily. Abuse that trust, and I don’t see why I should keep giving it to you. Sylvester had more credit with me than most people—he’d been building it for decades—and I loved him very much. Probably always would. I just needed some time before I’d be able to deal with him again.

Arden smiled, looking relieved that she hadn’t just been shot down cold. “Excellent. Is there anything else I can do for you tonight? The kitchen’s still open, if you’re hungry after all your hard work.”

“I could eat,” said Quentin.

“October would greatly appreciate a sandwich,” said Tybalt. “Or perhaps a banquet that you happen to have lying around going uneaten.”

I shot him a mock-glare. “Stop trying to feed me.”

“Stop trying to starve yourself to death for no apparent reason, and I will consider it,” he replied.

Arden laughed. “Well, since you put it that way—” she began.

A commotion from the entryway cut her off. Arden turned, amusement giving way to confusion and then alarm. The rest of us turned to follow the direction of her gaze. Lowri and the other guard from the entryway staggered into view, bent under the weight of the big red-and-white–haired figure they held between them. Madden was limp, his feet dragging behind him like a dead man’s.

“Madden!” cried Arden, shoving me out of the way as she flung herself across the throne room to reach her seneschal. She grabbed his head, lifting it so that she could stare into his face. His eyes were closed, and if he felt her hands against his skin, he didn’t react to them. He didn’t react at all. “Madden? Wake up!”

“He was dropped through a portal into the clearing, Highness,” said Lowri. Her voice shook as she spoke, her accent growing stronger in her dismay. “Whoever left him for us, their magic came and went too quickly. We didn’t have time to recognize it.”

“Why won’t he wake up?” moaned Arden. She didn’t look like a Queen in that moment: she looked like an ordinary woman, on the verge of a breakdown over the thought that her best and oldest friend had been hurt. “Madden, please. Please wake up, Madden, please.”

“He won’t,” said Tybalt. He strode over to Arden, pushing her aside as he bent to pull Madden’s jacket open. Quentin and I followed him, although we didn’t touch Arden. He could get away with a certain amount of manhandling the Queen, since she had no authority over him. Quentin and I weren’t so lucky. Arden was our friend and all, but that wouldn’t stop her from getting pissed if we touched her while she was already distraught.

Tybalt felt around inside Madden’s jacket, Arden looking on in wide-eyed dismay, until he hissed with displeasure and pulled out a short, almost stubby-looking arrow. The tip was damp with blood, but only the tip; the arrow had done little more than scratch Madden’s skin, based on how much blood was there. The smell of it hit me as I was walking toward him. I gasped, clapping a hand over my mouth.

Blood knows everything. Blood is where memory is stored, and where magic lives . . . and when someone is poisoned or enchanted, the blood knows that, too.

“As I suspected,” said Tybalt sadly. He turned the arrow in his hand, careful to avoid the point. The shaft was fletched in deep pine green and silver—the same shade of silver that appeared on the arms of the Kingdom of the Mists, in fact. That was odd. There are only so many colors in the world. Some duplication is unavoidable, but people mostly try to avoid using the colors that have been claimed by neighboring Kingdoms when they can possibly help it. There’s just too much chance of winding up with an angry monarch on your tail, questioning your fashion choices.

“Elf-shot,” I said, voice muffled by my fingers.

Arden’s face, which had been teetering on the edge of despair, crumbled. It was like watching a bottomless pit open in what had been a perfectly happy woman. “What?” she asked, eyes flicking to me. “No. It can’t be elf-shot. No. I’m . . . I am the queen. I became queen so that my people would be safe. Madden is my people. He’s my best people. I mean, he’s my best friend. He can’t be elf-shot. I won’t allow it.” Her voice broke on the last word, and my heart felt like it broke a little too, in sympathy.

Elf-shot is either one of Faerie’s crueler weapons or one of Faerie’s kinder weapons, depending on how you look at it, and how you feel about hundred-year naps. It allows the purebloods to wage war without killing each other, since killing a pureblood is a violation of Oberon’s Law. Killing changelings doesn’t violate the Law, naturally, and just as naturally, elf-shot is fatal to us, because who cares if some mongrel foot soldier dies on the battlefield?

I care. And everyone I know who’s effectively lost a friend or loved one to elf-shot cares. A century is a long time, even for a pureblood.

Maybe my reasons for hating the stuff are more personal than I like to admit. Elf-shot killed Connor, who was my lover and my friend and an important part of my life. Elf-shot forced my mother to shift my blood away from human and toward fae, disrupting the fragile balance I had managed to build for myself and sending me into what has sometimes seemed like an inevitable spiral toward the pureblood side of my heritage. And it was elf-shot that forced me to turn my little girl human, taking her away from me forever. So yeah, I hate it. I figure I’m allowed.

Arden was shaking her head, eyes still fixed on my face. “You’re wrong,” she said. “Why would someone use elf-shot on Madden? He’s . . . he’s the best. He’s the sweetest person in the world. No one wants to hurt him.”

“Unless, through hurting him, they might hurt you,” said Tybalt gently. Arden whipped around to stare at him. “You know as well as I do that the throne carries a heavier cost than we would choose, if it were up to us. So often, that cost is borne by the ones we care for.”

“Green and silver are the colors of the Kingdom of Silences,” said Quentin.

We all turned to stare at him—even Arden, who had started to cry. Quentin was undaunted.

“Silences is the Kingdom to the north of us, right? Their colors used to be green and red, to symbolize the evergreen forests and the roses they grow there, but when they lost the War of Silences, the Queen of the Mists—I mean the one who wasn’t really Queen, Your Highness, it’s just that we never got a real name for her, so I don’t have anything else to call her—took the red away from them. She said they no longer had the right to claim the blood of those who had died in the name of their false cause, and that they should always know who the superior Kingdom was. That’s why she made them match the silver in the arms of the Mists.” Quentin bit his lip before continuing, “I mean, I’m just saying. Those are their colors.”


A Red-Rose Chain (October Daye Series), by Seanan McGuire

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20 of 23 people found the following review helpful. My favorite of the series By T. Napier I starting reading this book at midnight the day of its release and read all through the night. Having just finished and being pretty much as exhausted as I've ever been after a full night of reading, this might be less than coherent. But I couldn't wait to give this book 5 stars. I think it's the best of the series. I didn't expect it would be; the last book was very strong, as was the one before that, and the whole series has been fantastic (obviously, or I wouldn't have read all night long). I thought that there wasn't much hope that book nine- NINE!- of a series could be as strong as the earlier books. That has not been my experience, particularly in this genre.But it was. The tension of this book hit me in the stomach right from the start and just never.let.up. It's perfectly paced. I was scared for the characters in a way that had me actually need to close my Kindle and take a break to give my emotions some release! I loved the plot, I loved the new characters and the evolution of the old ones. Silences is fascinating. There were a number of lines that made me laugh out loud and wake up my cat, particularly the idea of beta-testing a war. Loved that.The relationship between Toby and Tybalt is exactly what it should be. Their balance thrills me. It receives the right amount of focus. I dare anyone to read this series and not adore what those two are building.Off to sleep now! Thanks for another wonderful read. It was a pleasure to spend the night with your world in my head.

18 of 21 people found the following review helpful. Okay, but Not As Good As the Rest By Kathryn Zurmehly I have really enjoyed this series, but I think this is the end of the road for me.The plot is far more political than previous books, and not particularly compelling. There's lots of talk and the plot seems cyclic in a way that doesn't move forward quickly- Toby talks to bad guy, meets allies and gives them missions, has the same conversation with the bad guy again, rinse and repeat....I think it sets up what will hopefully be a major plot point down the line, but beyond that it didn't seem to contribute much to the ongoing mysteries of the series. Tybalt is still your ideal renfair man, with some delightfully sweet lines to our girl. I missed the Luidaeg, though I guess she can't always be there.It also has begun to throw in 'teachable moments'. I'm tired of these in every form of media and they're really jarring in an October Daye book, which have been just plain fun. Previously people were just the way they were and whatever, we need to go save the world now. Now we have to have a talk about it. I feel like it's starting to throw characterization off in a bad way and will only get worse further down the line.Overall, not a bad book, but not as good as the ones before, and the sudden inclusion of teachable moments means this is my last stop, which makes me sad. I really loved this series.

7 of 8 people found the following review helpful. All the action, emotion, mystery, and revelation you expect from an October Daye novel; McGuire's most polished book yet By ML "A Red Rose Chain" is an achievement for Seanan McGuire. It has all the action, emotion, mystery, and revelation of her earlier October Daye novels, and this time McGuire has nailed the pacing as well. Some of her earlier books have been criticized for lagging at times or being bloated with filler and unnecessary repetition. This book just flows smoothly from beginning to end without gratuitous excursions or needlessly jarring transitions. Kudos to McGuire for continuing to raise the level of her craft!As for the content of the book, Toby finds herself in the court of King Rhys, an old crony of the queen Toby just recently helped to depose in the Kingdom of the Mists aka the San Francisco Bay area. King Rhys has elf-shot Queen Arden's seneschal, putting him to sleep for 100 years, as part of a declaration of war. Queen Arden has dispatched Toby to Rhys' Kingdom of Silences in hopes of averting a costly and bloody war. Toby knows she hasn't been sent because of her diplomatic skills; she strongly suspects that Arden expects Toby to sow her usual chaos, aborting the war by bringing down the king. Toby wouldn't mind doing taking King Rhys out, if she could find a way; not only is he harboring one of Toby's most bitter enemies, but his cruelty and intolerance, particularly towards her fellow changelings, are deeper than she could have guessed. King Rhys is clever, however, and he will not easily be outmaneuvered. Furthermore, Toby herself has something that the king wants, and he is not shy about telling her that he will have it -- and it is not something she can part with and yet live.Which, by the way, she does. Just so you know. Live, that is. Also, as a heads-up, if you're like me you will find yourself thinking at around p. 300 that there is no way she will wrap this thing up by p. 358. She does. It is not a cliff-hanger. So don't get too anxious about it.Overall, I'd say that "Red Rose Chain" keeps the series alive and growing. Toby's evolution as a person and as a fae power continues. She remains vulnerable, partly by choice -- she could abandon her humanity at any time, if she so decided -- and at the same time she learns more and more about the great capabilities and not-so-substantial limits of her blood magic. (By the way, I should slightly dial back what I said about repetition - she does go on too much about what it means to be Dochas Sidhe with power over blood, ability to sense blood, etc.) By surviving this trial, Toby not only gains in reputation, but it becomes increasingly clear that her role, should she survive it, is to clean up faery; perhaps she is even the one to orchestrate the return of Oberon, the absent father of the fae. Having your character rise from humble origins to become a major force in the world is hardly unprecedented in the history of novel series, but it's not always done very smoothly, and very often the character and the novels lose the characteristics that made them appealing in the first place. McGuire is doing a good job of keeping Toby sympathetic and relatable even as she increases her powers and the stakes at risk in each novel.One more thing: In this novel, McGuire does two things that do not seem wise to me. Make that three. First, she barely uses the Ludaig, who has emerged as one of the most interesting and enjoyable secondary characters in the series. Second, she uses the Ludaig in a way that does not seem consistent with her earlier behavior. I hope she is not turning the Ludaig into Toby's housecat. Third, she allows Toby and her friends to destroy a pillar of the fae way of warfare, one that has persisted for centuries if not millennia. The fallout from this act has to loom large in the next novel , which would be too bad. I don't care nearly as much about the tactics of fae conflict as I do about what the deal is with Toby's mother, why Oberon flew the coop, and other larger issues about faery and humanity.Bottom line: "A Red Rose Chain" is an excellent addition to this series. Some of the earlier books may feature more surprising twists or more dramatic events, but this book is still full and satisfying. If you've followed the series up to this point, reading this book is a no-brainer. Let's hope that McGuire continues to feed us another one of these fantastic feasts at least once a year into the indefinite future.

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